综合构成.pps

单击此处编辑母版标题样式,单击此处编辑母版文本样式,第二级,第三级,第四级,第五级,*,第九讲：综合立体构成,钟的造型设计元素（点、线、面）,面包烘烤箱设计中的面与体的塑造,鼠标中体与质感的体现,线、体的综合构成,点、线、体的综合构成,点、线的综合构成,野果与牙签材料的运用,塑造点、线组合的自由式框架立体结构,无题,吸具器皿,塑料、硬软纸的综合运用,运用折叠、切割、捏合等手法，纵式插接错位塑造器具形态,无题,利用卡纸、泡沫板、图钉材料,运用渐变、发射、加减等方法塑造形体,大黄蜂纸艺欣赏,大黄蜂纸艺欣赏,昆虫纸艺,第十讲：立体构成的应用,工业产品中的线造型,灯具产品中线、面的造型,灯具产品中线的造型作用,工业产品中体与线造型的完美结合,衣架中线造型的魅力,衣架中线造型的魅力,灯具中面的构成形态,趣味性的面造型,烟灰缸的体态造型,壁灯中面与面的交融,垃圾桶的体块与材料的运用,支架的点、线、面运用,榨汁机,Philippe,Starck,造型简练，雕塑感强，象一件精美的工艺品,家居中产品的点、线、面结合,Transparent poetry;with these crystal tables,Aulenti,effectively takes advantage of the resistance of the material,creating immaterial structures,Poetry of soft shape,characterizes the projects in this slide;the lamp,Area,with its undulated surface is one of the most famous projects in the history of Italian design.We can see another example of this soft shape in the design of the,Stelle,Armchair.,Design as fashion,and therefore importance of the“mark“of the brand.Bellinis mark is etched visibly on the rice-cooker for the Japanese market,conquering ground of Italian style.,Tray and coffee service,Cleto,Munari,1981.,Silver and hard stones,Porcelain,Dome,Rosenthal,1985-1987,Design of the small series.What interested,Branzi,was not so much the industrial production but rather the intellectual approach towards the,projectual,problems.,Lamp Parenthesis,Flos,1971.,The design of this light was inspired by a sketch of Pio Manz.The lamp stays in the desired position because the moulded tube,which is fixed by a rotating rubber joint,is vertically crossed by a metallic rope.,The fold is the characteristic theme of all these objects:Sharp,in the case of the letter opener,or soft,as with the ashtray,it appears more like a solution found through experimentation than through design,as if it had been discovered by folding paper.,Thin metallic structures support the chairs illustrated here,designed by Mari in line with the great tradition handed down from,Breure,and Bauhaus.The dematerialization of the supporting base come from an in-depth study on the resistances of the metal.,The pieces shown in this slide are from the,Alessi,collection.Note the almost human like character of the strainer for cocktail-shakers,while the table sets are all based on circular shapes.,The collaboration between,Sottsass,and,Alessi,has assumed a strong image over the years for the quantity and quality of projects realized,for the company.The table objects introduced here are united by the use of stainless steel.,萨沃伊别墅,“,白色的盒子勒,柯布西耶（法）,未来生活形态,树屋,冰箱,空气过滤,抽屉式小冰箱,酒柜,自动门,树屋草图,柳条编织,毛毛球,柳条编织系列,-,灯具,罐头建筑,THANKS,