《论斯嘉丽的女性独立观》-开题报告.doc

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贵州师范大学本科毕业论文开题报告
学院：外国语学院 　　　　　　　专业：英语　　　 　　　 级别：2009级
课题名称
英文
Analysis of Scarlet ' s feminism in Gone with the Wind
中文
从《飘》中论斯嘉丽的女性主义
学生
姓名
袁露莹
学号
090501010047
指导教师姓名
钱亦斐
职称
学位
讲师
1. Purpose
Through the exploration and analysis, this thesis arrives at the conclusion that in order to solve the problem mentioned above, woman has to keep independent personality in different relationships, only through this way they could attain the equal positions in society and family.
2. Contents
Gone with the Wind is American writer Margaret Mitchell’s work on which she spent ten years. At that time, the society expected women to act as foil of men and be quiet and hide their abilities. Although most of female in Gone with the Wind are misses and ladies, in fact they are just honored guests in the front of the stage, they are still under the stage although they are near the stage. If they express their own opinions of the affair on the stage, they will be discussed by the society and criticized by people. The main character Scarlett dares to break through worldly blockade. She desires freedom in her heart and is reluctant to be restricted by the rigid moral norms.
This thesis consists of five parts. Chapter 1 is an introduction. In this part, the author briefly introduces Margaret Mitchell and her novel and the studies on it at home and abroad. Chapter 2 is theoretical foundations. In this part the author introduces the feminist theory and the feminist and female characters in Gone with the Wind. Chapter 3 focuses on the personality and love of Scarlett O'Hara, explores the collision and compromise between the bio-sexual relationships. Chapter 4 focuses on the death of three important persons in Scarlett O'Hara's life, and the author tries to explore the issues of gender identity and female positions in this part. The last part Chapter 5 is conclusion.
3. significance
This thesis employs the feminist literary critical theory, and explores Gone with the Wind in the feminist angle of view. Proceeding from analysis of the personality and love of Scarlett O'Hara, this thesis tries to explore the gender identity and female rights in the patriarchy society.
4. Approach and methodology
Literature research method
5. Work plan
The first phase (March 14 - March 20) for access to data to determine the subject completed the outline and opening report
The second phase (March 21 - March) completed the first draft of a paper
The third stage (March 31 - April 10) repeatedly revised draft sent to the instructor review and draft
The fourth stage (April 11 - April 19) to complete the final paper and prepare the thesis
Fifth stage (April 20 - April 29) complete the thesis
6. Outline
Abstract (in English)
Abstract (in Chinese)
I Introduction
1.1 An introduction to the Author and the Novel—Gone with the Wind
1.2 A Brief Critical Review on Gone with the Wind
II Theoretical Foundations
2.1 The Original of Feminism
2.2 The Theory of Feminism
2.3 The Definition of Feminism
III Girls Heroine: Scarlett
3.1 Against the feudal ethical code
3.2Fight for Women’s Social Position
3.3 From Economical Independent to Change the Domestic Roles
3.4 The Attitude towards Love and Marriage—Seeking Gender Inequality
IV Conclusions
Bibliography
DECLARATION
7. References
Bacchi,C.L. (1990). Same Difference, Feminism and Sexual Difference[J]. Allen and Unwin.
Beye, Charles Rowan. (1993). Gone with the Wind, and Good Riddance. Southwest Review, vol. 78, no.3 370.
Beye, Charles Rowan. (1993). Gone with the Wind as Book and Film [J]. University of South Carolina Press, Columbia.
Cornell, Drucilla. (1998). At the heart of freedom: feminism, sex, and equality. N.J. Princeton University Press, ISBN 978-0-691-028965, Princeton.
Gelfant. B. H. (1980.3). Gone with the Wind’ and the Impossibilities of Fiction [J]. The Southern Literary Journal Vol. XIII, No. I, Fall.
Hooks, bell. (1984). Feminist Theory: From Margin to Center. [M]. South End Press, Cambridge, Massachusetts.
Margaret Mitchell, (1973). Gone with the Wind [M]. The United States of America, reprint (36).
邓玉芬．斯佳丽：“飘”不走的梦和人———对《乱世佳人》的女性主义解读［J］．湖南科技学院学报．2005．（2）
康正果．女权主义与文学［M］.北京：中国社会科学出版社．1994.
李慧铨．评美国小说《飘》．外国文学研究．1979．（3）.
罗婷．女性主义文学与欧美文学研究．［M］北京：东方出版社．2002.

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