莫奈简介(全英)课件.ppt

Monet,And The Impression Monet,And The Impression Movement He Was InMovement He Was In1Outline Outline HistoricalBackgroundTheIntroductionofImpressionismMonet,theImpressionistTheInfluenceofMonetandtheImpressionism2HistoricalBackground3What Is Impressionism?What Is Impressionism?Impressionism,amajormovement,firstinpaintingandlaterinmusic,thatdevelopedchieflyinFranceduringthelate19thandearly20thcenturies.Impressionistpaintingcomprisestheworkproducedbyagroupofartistswhosharedasetofrelatedapproachesandtechniques.ThemostconspicuouscharacteristicofImpressionismwasanattemptto accurately and objectively record visual reality in terms of transient effects(瞬时效应瞬时效应)of light and colour.4Representative FiguresRepresentative FiguresImpressionistpainters:Principal:ClaudeMonet,PierreAugusteRenoir,CamillePissarro,AlfredSisley,etcEdgarDegas(德加)andPaulCzanne（塞尚）intheearly1870s.TheestablishedpainterManetadoptedtheImpressionistapproachabout1873.Inotheraspects:Music:ClaudeDebussy&MauriceRavelLiterature(closelyrelatedtosymbolism):Baudelaire,Rimbaud,Verlaine,etc.5Innovation in Science&Technology Innovation in Science&Technology Innovation in ImpressionismInnovation in Impressionism ColourTheoryCameraInnovation&Experiments6Theemergingscienceofcolortheoryplayedanimportantroleinthedevelopmentofimpressionism.7TheIssueofBlackPureblackisrarelyusedbytheimpressionistpainters.Monetobtainedanappearanceofblackbycombiningblues,greensandreds.Heeliminatedalmostcompletelyblackfromhispainting,evenintheshadows.AvoidingblackwassodeeplyanchoredinMonetsmannerthatwhenhedied,hisfriendGeorgesClemenceauwouldnotstandtheblacksheetcoveringthecoffin.Heexclaimed:No!NoblackforMonet!andreplaceditbyafloweredmaterial.8InfluencefromCamerahelpingtheartistsstudymovementandgesturestocaptureasenseofreal-lifespontaneity,tofullyunderstandthesurroundings,thedetails,contraststoviewfromanotherperspectiveandsoon;Inspiringthemtoexperimentwiththecandidgroupings,off-centerfocus,deepperspectivesforeshortening;recordingtherealworldratherthanhistoricalimagination-Impressionistsmotivatedtodepictpeopleandlandscapeswithoutmythologicalorhistoricalexaggerations.9Innovation&ExperimentsBlurredmovingfigures-slowshutterspeed;blurryeffectMixingprimarycolours-apaletteofjusteighttotencolorstoachievemanyvariableandsubtleeffectsPaintingrealpeople-everydayactivities;variousclassesComplimentarycolours-createanespeciallyintenseeffect;vibrancyLifebeyondtheframeseeminglycarelesscutofffigures;viewerstoacknowledgethatlifecontinuedbeyondtheframe10Public OpinionPublic OpinionPaintingswererejectedbySalondeParisandsomemuseumexhibitionsformanytimesIfImpressionistswerebecomingappreciatedfromthe1880s,theirsituationwasstillharsh;theSalonwasstillrefusingtheirpaintings,andin1894,25outof65artworksdonatedtotheLuxembourgmuseumwererejected.whenCamillePissarro,theImpressionistpatriarch,diedin1903,everybodyagreedthatthismovementwasthemain19thcenturyartisticrevolution,andthatallitsmemberswereamongthefinestpainters.11Claude Monets early works:Claude Monets early works:(18581873)(18581873)The Beginning of Impressionist ArtThe Beginning of Impressionist Art12Atthebeginningofhiscareer,Monetuseddarkcolors,ashedidintheStudioCornermarkedbyblackshades.HispaintingevokestheRealistSchool.From1860on,Monetabandoneddarkcolorsandworkedfromapalettelimitedtopurelightcolors.13LuncheonOn TheGrass(1865)Monetsfirstmasterpiece;usingthesamethemeandsamestyleasManettwoyearsbeforeforhisownLuncheononthegrass,apaintingwhichscandalizedpeopleattheSalonin1863.1415ExquisitecaptureoflightandcoloursThe ReaderInthespringof1872ProbablytheportraitofhiswifeCamille16Impression Sunrise(1873)TheImpressionismwasborn17Paintings of Argenteuil&Vtheuil Paintings of Argenteuil&Vtheuil(18721882)(18721882)ItisbecauseIrediscoveredandallowedintuitiveandsecretItisbecauseIrediscoveredandallowedintuitiveandsecretforcestopredominatethatIwasabletoidentifywithcreationforcestopredominatethatIwasabletoidentifywithcreationandbecomeabsorbedinit.andbecomeabsorbedinit.ClaudeMonetClaudeMonet18LifeinArgenteuilThe Luncheon-family happiness at Argenteuil:A quiet summer afternoon,Jean Monet is sitting on the ground and playing,Camille appears in the background.19LifeinVtheuilHow many shades of how many colors are there within the nuances of light in this simple tree trunk?Claude Monet20Travels(18841908)Travels(18841908)WhatIllbringbackfromherewillWhatIllbringbackfromherewillbesoftnessitself,white,pink,blue,besoftnessitself,white,pink,blue,allofthiswrappedinthisfairyair.allofthiswrappedinthisfairyair.ClaudeMonetClaudeMonet21TheNetherlands(1886)Venice,Italy(1908)affectedbycataract(白内障),visionaltered22London,England(1900,1903)Houses of Parliament,Effect of Sunlight in the Fog(1900)23The Late Year:The Late Year:Giverny(1883-1926)Giverny(1883-1926)Whereasyouarephilosophicallyseekingtheworldinitself,Whereasyouarephilosophicallyseekingtheworldinitself,IamsimplyfocusingmyeffortsonamaximumofIamsimplyfocusingmyeffortsonamaximumofappearancesinclosecorrelationswithunknownrealities.appearancesinclosecorrelationswithunknownrealities.ClaudeMonetClaudeMonet24Bought10yearsafterhisarrivalatGiverny;laterenlargedtotodayssize.Thewatergardenisfullofasymmetries(不对称)andcurves.ItisinspiredbytheJapanesegardensthatMonetknewfromtheprintshecollected.25Water-LilyPondinGivernyMy bad sight means that I see everything through a mist.Even so it is beautiful,and thats what I would like to show.”Claude Monet26Twelvelargecanvas:TheWater-Lilies(19161926)donatedtoFrancetocelebrate1918victorylaterbeinstalledinanarchitecturalspacedesignedspecificallyforthematanmuseuminParis27InfluencesInfluencesInfluenceofMonetInfluenceofImpressionismInfluenceonMusic28MonetwasafounderofFrenchimpressionistpainting.Hewasthemostconsistentandprolific(多产的)practitionerofthemovementsphilosophyofexpressingonesperceptionsbeforenature,especiallyasappliedtoplain-airlandscapepainting.ThetermImpressionismisderivedfromthetitleofhispainting“Impression,Sunrise”.29TheImpressionistscreatedamodelforfreedomandsubjectivitythatpromotedartisticfreedomthatwhichmanyartistsofthepastlongedfor.Theirexampleempowered(允许,授权)laterartiststhattookitmuchfurtherthantheydid.Duetotheneverendingsupplyofresourceswehaveatourcommandinourpresentlives,artcontinuestoexpandandwillstillcontinuetogrowandbreaklimitsthatwillfascinatepeople.30Itmarkedanewwayofpaintingthatwasmoreconcernedwithcreatingimpressionsofthetransienteffects(瞬时效应)oflight.Manyartistspaintedoutside,inanattempttocapturefleetingeffectsofsunlightoneverydayscenes.Coloursbecamemoreimportantthanlineinthecreationofshimmeringsurfacesofvibratingcolours.31 VanGoghwasinfluencedbyhisfriendshipwithImpressionists.AfterseeingtheirpaintingsinParis,hebegantousebrightercolorsandbrokenbrushstrokes.Howeverhedifferedfromtheminoneimportantway.Ashewrotein1888,“InsteadoftryingtorenderwhatIseebeforeme,Iusecolorinacompletelyarbitrary(任意的任意的)wayinordertoexpressmyselfpowerfully”.InfluenceofImpressionismonVanGogh32InfluencedbythepaintingsoftheFrenchimpressionistsandbythepoetryofPaulVerlaine(魏尔伦)andsoon,themovementinmusicwasledbytheFrenchcomposerClaudeDebussy.Musicalimpressionismemphasizedtonalcolorandmoodratherthanformalstructuressuchasthesonataandthesymphony.Debussy,anactivecriticaswellasacomposer,viewedimpressionismasareactiontoboththeformalemphasisofsuchcomposersasMozartandBeethovenandtheemotionalrichnessofromanticcomposerssuchasRobertSchumannandFranzSchubert.33Impressionismisattherootofallmodernart,becauseitwasthefirstmovementthatmanagedtofreeitselffrompreconceived(预想的)ideas,andbecauseitchangednotonlythewaylifewasdepictedbutthewaylifewasseen.”FrancesoSalvi(famousItalianactor,comedian,writerandsinger)34Thank you!Thank you!35