凹陷公园景观案例分析.ppt

凹陷公园景观案例分析,content,目录,The definition of pocket landscape,Design concept about sunken garden,The zoning of landscape,The analysis,of structure,The analysis of traffic flow,Section drawing,口袋景观定义,凹陷公园设计理念,景观分区,结构分析,交通流线分析,剖面及效果图,The definition of pocket landscape,Pocket Landscape,also known as Pocket parks,refers to small urban open space,often show,Patches scattered or hidden in the urban structure.A variety of small green space in the city,smaller,parks,Street Gardens,communities of small pocket Landscape are common.,Pocket Landscape is,a new form of urban open spaces,and it is an important component of urban green system.,口袋景观,也称袖珍公园，指规模很小的城市开放空间，常呈斑块状散落或隐藏在城市结构中。城市中各种小型绿地、小公园、,街道花园、社区小型运动场所等都是常见的口袋景观。口袋景观是城市开放性空间中的一种新形式,是城市公园绿地系统的重要组,成部分。,美国达拉斯城市公园,HAPA,吸管公园,上海,Kik,公园,Located in FengTai district in Beijing,The ninth international EXPO garden in Beijing,Design concept about sunken garden,灵感来源,Gorge,峡谷,Concept of garden grottoes,园林假山概念,The Site has a very strong sense of space conflict,.,The visitors can participate,climbing tours,explore,feel different latitude in the garden.,In the gardens,from below to above,from the inside to the outside,from open to closed,it is different landscapes,experience.,The concept of working with a sunken ground comes from a mission of fabricating an experience both intimate and intense combined with a strong feeling of harmony with the environment and intimate contemplation.Sunken ground looks at concepts present in Suzhou gardens tradition,such as the rock,the outcrop and the occidental equivalent of the grotto to then travel in space and time to the image of hanging gardens and further on to the concept of a sunken courtyard.The result is a combination both of intense distortions of the ground and an acute sense of three dimensionally,where one feels itself draped by concrete,steel and vegetation,free to explore a thickened version of a microcosm in a series of pocket landscapes for reflection,relaxation and ultimate playfulness.,本次设计的理念是凹陷的地表。这个设计理念来自于希望创造一种与环境亲密并激烈相融的空间 感觉。凹陷地表从传统的中国苏州园林（假山的堆叠）以及西方的石窟中,吸取灵感。虽然在空间和时间上它们有所不同，但这种空中花园以及下沉式庭院的概念却是 异曲同工。本次设计敏锐地扭曲了地表空间，从而形成了强烈的三维感，使得,人们感觉自己被水泥，土壤和植被包裹着，并可以自由探索一系列“口袋景观”，而正 是这些“口袋景观”为游客提供了放松嬉戏的机会。,The zoning of landscape,封闭口袋花园,封闭口袋花园,封闭口袋花园,下沉花园,上升花园,上升花园,As if we were traveling both in space and time,we arrive to the ancient ideas of hanging gardens,where vegetation is viewed from the underneath.,This generates a sense of immersion in nature,favoring retreat and reflection within the visitor.,The garden also includes sunken gardens which,start from a different point,enabling to experience,nature from above,but also frame the skyline when,we are inside them,closing the look of inside,outside of nature.It is perhaps this constant travel,from inside to outside nature which shall let the,visitor understand a multilayered relationship to,nature and the environment,more in line with,concepts of harmony and immediacy.,三类口袋花园在其中交替,上升花园、下沉花园、封闭花园。,“上升花园”,中植被从上方俯瞰游人，让人们产生一种浸在大自然中的感觉，游客,们可以立刻对所看到的景观产生强烈的回应。,“下沉花园,”则始于另一种相反的理念，使我们从俯瞰的角度体验自然。,“封闭花园”,则用封闭的小空间容纳景观进行生态交流，人们可以从观察孔观察它的,复杂性，以及平静的演变过程。,The analysis,of structure,The analysis of traffic flow,Given that the site has a strong linear character,the design task,is the structuring of two corridors parallel to the main axis.The,longer corridor takes the user through a strong experience of,being surrounded by concrete,End immersed in a dense vegetation,canopy.The canyon effect is achieved thought the incorporation of,oversized pots which delineate the path and are both micro gardens,or pocket landscapes which can be either entered or observed from,the exterior.The second corridor,which stems from the first one,moves from the feeling of being under the Landscape,to that of,being on top of the Landscape.In order to do this,a gentle slope,places the spectator on a slightly upper position,while the pot is,lowered slightly.The combine effect reverts the effect of the main,axis in such a way that the hanging gardens have given way to a,sunken garden east of the corridor.Both corridors are linked through,a series of landscape terraces of different materials,generating a,diverse ground which is the ultimate responsible for diversity and,variety of experiences.,公园内设计了两个平行走廊式的主轴结构。较长的廊道引导游客从一个由混凝土围合的空间中,通过，最终沉浸在茂密的植被树冠中。这条主要通道引领体验者沿路进入“下沉花园”欣赏景,观，以及从外部观赏“封闭花园”的生态系统演替，实现峡谷效应。第二个廊道与第一个的感,觉截然相反，是一种游走于景观上方的体验，为了达到这种效果，第二个廊道连接了两个上升,花园，人们可以进入上升花园，也可以在廊道上观测上升花园里的景观。两个走廊由一系列不,同材料的铺装相连，形成不同的地面景观，从而产生景观多样性及不同的景观心灵体验。,Section drawing,The pots serve as meandering elements within the larger,landscape,a large scale version of traditional SuZhou,garden component of the rock boulder and the miniaturized,landscape within the flow of the sea.One can observe,each object but also imagine oneself climbing into it in,an act of intimate relationship with nature.Some of the,traditional gardens also incorporate an element of,circulation within these rocks,so that they become both,miniature,but also belvedere and observation.,封闭花园作为大型景观的一种延伸，是传统苏州园林（假山空间的堆叠）的微,型景观的现代版本。人们可以观察到每一个对象，想象自己在其间游走并与自,然产生亲密的关系。一些传统的花园也纳入到这些混凝土的岩石元素，使他们,成为山川大地的缩影。,Sunken Ground concept uses these traditions,to generate a diverse experience where,the levels inside the pots are thought so,that visitors can experience the full three,dimensionality of the park,climbing to the,top of the pot,looking at other pots and,the flow of people around.Finally,pavement,and plan patterns flow along the entire,site,giving it a sense of totality,continuity,and ultimate harmony to the park.,凹陷地表的概念，正是为了让游客可以体验完整的三维公园，,攀登到花园上方，亦可观赏其它花园。最后，道路网络的设计,组织了整个花园的人流量，给予这个花园一种整体性，连续性,与和谐感。,The End,