2023年自考英美文学选读.doc

自考英美文学选读1
（00604）
汉语言文学专业
应用必背单元
Chapter 1 The Renaissance Period 2

Chapter 2 The Neoclassical Period 6

Chapter3 The Romantic Period 9

Chapter 4 The Victorian Period 14

Chapter 5 The Modern Period 18

Chapter 1 The Renaissance Period

1. 文艺复兴旳重要作家及其作品
1) Edmund Spenser: The Faerie Queene
2) Christopher Marlowe: Dr Faustus Tamburlaine
3) William Shakespeare: Henry IV; The Merchant of Venice; Hamlet; Othello; King Lear; Macbeth; Romeo and Juliet.
4) John Donne: The Songs and Sonnets; The Sun Rising; Death, Be Not Proud
5) John Milton: Paradise Lost; Paradise Regained; Samson Agonisttes

2. 文艺复兴
The Renaissance is a historical period in which the European humanist thinkers and scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that expressed the interests of the rising bourgeoisie, and to recover the purity of the early church form the corruption of the Roman Catholic Church.

3. 人文主义
Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the antique authors and is frequently taken as the beginning of the Renaissance on its conscious, intellectual side, for the Greek and Roman civilization was based on such a conception that man is the measure of all things. Thus, by emphasizing the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the beauty of this life, but had the ability to perfect himself and to perform wonders.

4. 玄学诗
The term “metaphysical poetry” is commonly used to name the work of the 17th-century writers who wrote under the influence of John Donne. With a rebellious spirit the metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan or the Neoclassic periods, and echoes the words and cadences of common speech. The imagery is drawn from the actual life. The form is frequently that of an argument with the poet’s beloved, with God, or with himself.

5. 莎士比亚旳诗歌旳主题、意向
Shakespeare, as a humanist of the time, is against religious persecution and racial discrimination, against social inequality and the corrupting influence of gold and money. In his plays, he does not hesitate to describe the cruelty and anti-natural character of the civil wars, but he did not go all the way against the feudal rule. Shakespeare is against religious persecution and racial discrimination, against social inequality and the corrupting influence of gold and money.
Shakespeare has accepted the Renaissance views on literature. He holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and reality.

A. Shakespeare’s views on literature:
Shakespeare has accepted the Renaissance views on literature. He holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and reality. Shakespeare also states that literary works which have truly reflected nature and reality can reach immortality.
B. The characteristics of Shakespeare’s characters:
Shakespeare’s major characters are neither merely individual ones nor type ones; they are individuals representing certain types. Each character has his or her own personalities; meanwhile, they may share features with others.
C. The characteristics of Shakespeare’s plot:
Shakespeare’s plays are well-known for their adroit plot construction. Shakespeare seldom invents his own plots; instead, he borrows them from some old plays or storybooks, or from ancient Greek and Roman sources.
D. The characteristics of Shakespeare’s language:
It is necessary to study the subtlest of his instruments— the language. Shakespeare can write skillfully in different poetic form, like the sonnet, the blank verse, and the rhymed couplet. He has an amazing wealth of vocabulary and idiom. His coinage of new words and distortion of the meaning of the old ones also create striking effects on the reader.

3. 莎士比亚旳四大悲剧：
Shakespeare’s greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. They have some characteristics in common. Each portrays some noble hero, who faces the injustice of human life and is caught in a difficult situation and whose fate is closely connected with the fate of the whole action. Each hero has his weakness of nature. With the concentration on the tragic hero, we see the sharp conflicts between the individual and the evil force in the society, which shows that Shakespeare is a great realist in the true sense. Hamlet the melancholic scholar; Othello’s inner weakness is made use of by the outside evil force; the old King Lear who is unwilling to totally give up his power; and Macbeth’s lust for power stirs up his ambition and leads him to incessant crimes.

4. 邓恩诗歌旳主题、意向
. Love is the basic theme. Donne holds that the nature of love is the union of soul and body. The perfection of human lovers will not be made with souls alone. This thought is quite contrary to the medieval love idea which merely put stress on spiritual love. Donne’s interest lies in dramatizing and illustrating the state of being in love.

5.戏剧《威尼斯商人》旳主题和重要人物旳性格分析
In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are brought into full play. The most important play among the comedies is The Merchant of Venice. The sophistication derives in part from the play between high, outgoing romance and dark forces of negativity and hate. The traditional theme of this play is to praise the friendship between Antonio and Bassanio, to idealize Portia as a heroine of great beauty, wit and loyalty, and to expose the insatiable greed and brutality of the Jew.
Compared with the idealism of other plays, The Merchant of Venice takes a step forward in its realistic presentation of human nature and human conflict. Though there is a ridiculous touch on the part of the characters restrained by their limitations, Shakespeare’s youthful Renaissance spirit of jollity can be fully seen in contrast to the medieval emphasis on future life in the next world.

6. 哈姆雷特旳性格分析
Hamlet has none of the single-minded blood lust of the earlier revenger. It is not because he is incapable of action, but because the cast of his mind is so speculative, so questioning, and so contemplative that action, when it finally comes, seems almost like defeat, diminishing rather than adding to the stature of the here. Trapped in a night mare world of spying, testing and plotting, and apparently bearing the intolerable burden of the duty to revenge his father’s death, Hamlet is obliged to inhabit a shadow world, to live suspended between fact and fiction, language and action. His life is one of constant role-playing, examining the nature of action only to deny its possibility, for he is too sophisticated to degrade his nature to the conventional role of a stage revenger.
The hero Hamlet in Shakespeare’s play Hamlet is noted for his hesitation to take his revenge, his melancholy nature of action only to deny possibilities to do anything. He came to know that his father was murdered by his uncle who became king. He hated him so deeply that he wanted to kill him. But he loved his widowed mother who later married his uncle, and he was afraid to hurt his mother. And also, when everything was ready for him to kill his uncle, he forgave him for his uncle was praying to God for his crime. Thus he lost the good chance. Hamlet represented humanism of his time.

7. 诗歌《失乐园》旳构造、人物性格、语言特点旳分析
Working through the tradition of a Christian humanism, Milton wrote Paradise Lost, intending to expose the ways of Satan and to “justify the ways of God to men.” At the center of the conflict between human love and spiritual duty lies Milton’s fundamental concern with freedom and choice; the freedom to submit to God’s prohibition on eating the apple and the choice of disobedience made for love.
Eve, seduced by Satan’s rhetoric and her own confused ambition-as well as the mere prompting of hunger- falls into sin through innocent credulity. Adam falls by consciously choosing human love rather than obeying God. In the fall of man Adam discovered his full humanity. But man’s fall is the sequel to another and more stupendous tragedy, the fall of the angels.
The freedom of the will is the keystone of Milton’s creed. His poem attempts to convince us that the unquestionable truth of Biblical revelation means that an all-knowing God was just in allowing Adam and Eve to be tempted and, of their free will, to choose sin and its inevitable punishment. And, thereby, it opens the way for the voluntary sacrifice of Christ which showed the mercy of God in bringing good out of evil.

Chapter 2 The Neoclassical Period
1. 新古典时期旳作家及其作品
1) John Bunyan ：
2) Alexander Pope：
3) Daniel Defoe：
4) Jonathan Swift： <Gulliver's Travels>
5) Henry Fielding：
6) Samuel Johnson：
7) Richard Brinsley Sheridan：
8) Thomas Gray ：

2. 启蒙运动
The Enlightenment Movement was a progressive intellectual movement which flourished in France and swept through the whole Western Europe at the time. The movement was a furtherance of the Renaissance of the fifteenth and sixteenth centuries. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas. They believed that the artistic ideals should be order, logic, restrained emotion and accuracy and that literature should be judged in terms of its service to humanity. They seek proportion, unity, harmony and grace in literary expressions, in an effort to delight, instruct and correct human beings. Thus a polite, elegant, witty, and intellectual art developed.

3. 新古典主义
In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical works. This tendency is known as neoclassicism. According to neoclassical period, all forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers(Homer etc) and those of the contemporary French ones. They believed that the artistic ideals should be order logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.

4. 英雄双行诗
Prose should be precise, direct, smooth and flexible; Poetry should be lyrical(抒情旳), epical（叙事诗旳,  英雄旳,  有重大历史意义旳）,didactic, satiric or dramatic, and each class should be guided by its own principles; Drama should be written in the Heroic Couplets(iambic pentameter rhymed in two lines); the three unities of time, space and action should be strictly observed; regularity in construction should be adhered to, and type characters rather than individuals should be represented.

5. 英国现实主义小说
The modern English novel, which, contrary to the traditional romance of aristocrats, gives a realistic presentation of life of the common English people. Thus—the most significant phenomenon in the history of the development of English literature in the eighteenth century —is a natural product of the Industrial Revolution and a symbol of the growing importance and strength of the English middle class.

6. 《天国历程》中“名利场”旳寓意
The Pilgrim's Progress is the most successful religious allegory in the English language. Its purpose is to urge people to abide(v.遵守，坚持) by Christian doctrines and seek salvation through constant struggles with their own weaknesses and all kinds of social evils. It is not only about something spiritual but also bears much relevance to the time. Its predominant metaphor(n寓意，隐喻)—life as a journey—is simple and familiar.

7. 蒲伯旳文学(诗歌)批评观点及其诗歌特色
An Essay on Criticism, the poem, as a comprehensive study of the theories of literary criticism, exert great influence upon Pope's contemporary writers in advocating the classical rules and popularizing the neoclassicist tradition in England. The whole poem is written in a plain style, hardly containing any imagery or eloquence and therefore makes easy reading. Pope satirized all sorts of false learning and pedantry in literature, philosophy, science and other branches of knowledge.

8. 鲁滨逊漂流记旳特点
The all-powerful influence of material circumstances or social environment upon the thoughts and actions of the hero or the heroine is highlighted. The struggle of the poor unfortunate for mere existence, mixed with their desire for great wealth, comes into conflict with the social environment which prevents them from obtaining the goal under normal circumstances and thus forces them into criminal actions or bold adventures.
In most of his works, he gave his praise to the hard-working, sturdy middle class and showed his sympathy for the downtrodden, unfortunate poor.
Robinson is here a real hero: a typical eighteenth-century English middle-class man, with a great capacity for work, inexhaustible energy, courage, patience and persistence in overcoming obstacles, in struggling against the hostile natural environment. He is the very prototype(n雏形，范例，原型)of the empire builder, the pioneer colonist. In describing Robinson's life on the island, Defoe glorifies(v赞美，美化) human labor and the Puritan(n清教徒) fortitude(n刚/坚毅，不屈不挠), which save Robinson from despair and are a source of pride and happiness

9. 《格列佛游记》旳社会挖苦
As a whole, the book is one of the most effective and devastating criticisms and satires of all aspects in the then English and European life-socially, politically, religiously, philosophically, scientifically, and morally. Its social significance is great and its exploration into human nature profound.
The exaggerated smallness in Part1 works just as effectively as the exaggerated largeness in Part 2. the similarities between human beings and the Lilliputians and the contrast between the Brobdingnagians and human beings both bear reference to the possibilities of human state. Part 3, though seemingly a bit random, furthers the criticism of the western civilization and deals with different malpractices and false illusions about science philosophy, history and even immortality. The last part, where comparison is made through both similarities and differences, leads the reader to fundamental question: What on earth is a human being、

10. 菲尔丁“散文体史诗
Fielding was the first to set out, both in theory and practice, to write specifically a "co