取材于原著的高考试卷语篇之三.doc

取材于原著的高考试卷语篇之三张铁城 2016、2、发送简介下面选择上传是：（一）2006年全国卷I（含听力）的“完形填空”、（二）2006年全国卷I（含听力）的阅读D篇。这两个语篇“在文字方面保持原貌的程度较高”。如果你，不仅细读了这两个语篇及其原著，而且下功夫背诵默写一番，你的受益会远远超过背诵那些英汉对照词汇表，你会无暇顾及那些用汉语讲解的语法规则，那么，这样做做就对了。（一）2006年全国卷I（含听力） 的“完形填空”这篇试题直接取材于：原著Crossing the line of convention（这篇320个单词的文章，是摘录自美国作家Robert Fulghum的散文集Maybe (Maybe Not)；该书是1995年前后美国畅销书，甚至在2006年还有人将该选段Crossing the line of convention选贴网上。如：Other Issues, posted by Llib Brunyar, a resident of the Menlo Park: Central Menlo Park neighborhood, on Dec 20, 2006 at 2:32 pm From a wonderful book by Robert Fulghum. The book is titled Maybe (Maybe Not)Crossing the line of convention by Robert Fulghum（原著全文320个英语单词经命题人员改编后，成为完形填空语篇，全文填满后：301 个英语单词。绿色粗体部分为命题人员保留的原文的词汇，共计215个。）（黑色粗体部分为命题人员改动/添加的词汇）On a hot summers day（a hot summer day）late in August（in late August）, I sought shade and a cool drink under the canvas awning（布篷） of a waterfront cafe in the old harbor of the town of Chania, on the Greek island of Crete. More than 100 degrees in still air. Crowded. Tempers of both the tourists and waiters had risen to meet the circumstances（situation）, creating（making it） a tensely（rather） quarrelsome environment. At the table next to mine sat an attractive young （,well-dressed）couple. Well dressed in summer fashions of rumpled linen and fine leather sandals. The man: stocky, olive-complexioned, black hair, and mustache. The woman: lanky, fair, blond. Waiting（,waiting） for service, they（They） held hands, whispered affections, kissed, giggled, and laughed.Suddenly, they stood, picked up their metal table, and, carrying it with them, stepped together off the edge of the quay（where they were sitting ） to place the table in the shallow（sea） water of the harbor. The man waded（stepped） back for two chairs. He gallantly（politely） seated his lady in the waist-high（*knee-deep） water and sat down himself. The onlookers（All people around）laughed, applauded, and cheered.A sour-faced waiter appeared. He paused for the briefest moment（just a second）. Raised his eyebrows. Picked up a table cloth, napkins and silverware. Waded （,walked）into the water to set the table and take their order. Waded（,and then walked） back ashore to the ongoing （loud）cheers and applause of the rest of his customers. Minutes later he returned with a tray carrying a bucket（bottle）of iced champagne（wine）and two glasses. Without pausing, he waded（went） once more into the water to serve the champagne（wine）. The couple toasted（祝酒）each other, the waiter, and the crowd. And the crowd replied by cheering and throwing flowers from the table decorations（to them）.Three other tables joined in to have lunch in the sea（water）. The atmosphere shifted from frustration to festival（The place was now filled with laughter）. One does not wade（step） into（the）water in ones best summer outfit（clothes）. Why not?Customers are not served in the sea. Why not?Sometimes one should consider crossing the line of convention（and enjoy life to the fullest）.Author ：Robert FulghumAuthor Robert Fulghum has published seven best-selling books: All I Really Need to Know I Learned in Kindergarten, It Was on Fire When I Lay Down on It, Uh-Oh, Maybe (Maybe Not), From Beginning to EndThe Rituals of Our Lives, True Love and Words I Wish I Wrote. There are currently more than 16 million copies of his books in print, published in 27 languages in 103 countries. （二）2006年全国卷I（含听力） 的阅读D篇全国卷I阅读D篇 “Life after retirement”（共计1,479个英语单词）取材于：其中876个英语单词的原文The Collageskl: kl: （拼图）of David Arthur Adams July 30, 2004（试卷文章全长只有239个英语单词）（绿色粗体部分为命题人员保留的原著的词汇，黑色粗体部分为命题人员改动/添加的词汇。）Tarzans DreamSince my retirement from teaching music in 2001, I have spent a good deal of time（painting） working on mysecond career as an artist. I have two brothers who are professional artists, and my son was trained by the Minneapolis College of Art & Design. Yes, art is in the family, led by my father, Art, Arthur Adams, who was a talented sketch artist who kept us children entertained during the long sermons of his beloved Missouri Synod Lutheran Church by drawing animals for us on a little pad. We were amazed that a mere human being could bring so many creatures to life with the stub of an ordinary pencil. I actually began drawing again in the summer of 1995 when my father, Art, died, so perhaps I was trying to recover my lost father, or maybe it was just that it brought back memories of him. In any case, I drew pen and ink animals and landscapes much influenced by Krenkel（见：注释） and St. John（见：注释） for five years. For some strange reason, I had been waiting until my retirement to start doing watercolors again, but as soon as I walked out the school door for the last time I picked up my brushes and rediscovered Andrew Wyeth, who quickly became my favorite artist. I had looked through all the art books I had on my shelves and found his watercolors to be the closest to how I thought good watercolors should look. And so I painted landscapes around Minnesota for three years and tried out many other media, including pencils, charcoal, pastels（蜡笔画）, and acrylics（丙烯酸画）（types of painting）. However, watercolors remained my（first）media of choice, and I think I did my best work there, showing my paintings in（at）a number of local galleries and events（art exhibitions）. Way back in 1969, I started doing a set of small 4x6 inch collages on note cards. I was living at home with my parents during the summer before I went back to the University of Minnesota for my Masters Degree in Music. My little brother was in his senior year in high school and headed toward his career as an artist. We worked in the basement, the coolest place during that hot summer (our parents did not believe in air conditioning) I worked on ideas for a thesis, and my brother on large acrylic paintings（丙烯酸画）. The small collages were just a whim（心血来潮之作）, based upon my reading of Dada（达达派1916-1922西方怪诞象征艺术/虚无主义流派） and the Surrealists（超现实主义者）. I tried my hand at a dozen, then forgot about them for about 35 years. Sometime during the past couple of years while organizing my notebooks, photographs, and writing (the thing one does during retirement) I came across those old collages and found them to be very powerful. They inspired me to take up collaging again, and I have done little else with art since March of this year. I now have over a hundred small pieces on various size cards and a number of larger ones, which I showed at a recent gallery exhibit in Bird Island of regional Minnesota artists. My collages are all surreal（超现实的） and deal with archetypal（原形/典型） images based upon my interest in the writings of Carl Jung（= Carl Gustav Jung 1875-1961 Swiss psychologist & psychiatrist）. Most of them so far start with backgrounds upon which I build up images, however, recently I have started combining colored and black and white pictures with watercolor, gouache（水粉画）and drawing. My new interest in collaging began with a series of pictures for Bruce Bozarth（= David Bruce Bozarth, author of“Exploring Barsoom With Ras Thavas and the Calot见注释）for one of his Ras Thavas（= master scientist and physician）short stories and the ones displayed on this site based upon the Tarzan stories. After this I seem to have worked in the direction of shamanism（西伯利亚的萨满教） with images of animals and people combined. I started a series on the 12 labors of Hercules（大力神）, doing a number of 11x14 pictures and have recently begun working with 8x11 stock. I have a great, large Noahs Ark（诺亚方舟）, 14x20, which is my usual large watercolor size. I guess collaging is in my blood, at least, Im still up for them after 4 months. Like all of art, collaging is a method of seeing rather than just something placed on paper or canvas. For me, it more about doing than the product you get by doing. I do these things to see the world better and to see myself with more clarity. I have found that collaging teaches one to see images in relation to the things around them and how they lie upon backgrounds.I do some collaging every day in my garage studio. I cut and glue while I smoke my pipe. Art is（now） expansive and works together with my piano playing and reading. There is a time for everything in my world, and it is wonderful to portion out（= divide into parts and give to some people）my（have some）time doing what I want to do. As Kung Chiu wrote（Confucius once said）: At fifteen I thought only of study; at thirty I began playing my role; at forty I was sure of myself; at fifty I was conscious of my position in the universe; at sixty I was no longer argumentative; and now at seventy I can follow my hearts desire without violating custom. （子曰：吾十有五而志于学，三十而立，四十而不惑，五十而知天命，六十而耳顺，七十而从心所欲不踰矩。） July 30, 2004 注释：（1）Carlot：A calot? Think of a beast with a body about the size of a Shetland pony with ten legs, a gaping maw （= a widely open mouth）filled with three rows of very sharp teeth, a short bristle（= short stiff wire-like hair） of mane（= 鬃毛/鬣毛the long hair of the neck of a horse or a lion）and an ugly disposition（性格character）. Large eyes, a fearsome continence（情感自制力ability to control ones feelings）, and a physical constitution（身体素质body condition）just short of marvelous（almost perfect 几乎完美无缺）. The calot is the most successful predator of Barsoom and can travel a hundred or more miles in a day. Calots have been domesticated by some Barsoomian cultures and generally serve their masters much as dogs serve humans on Earth.（2）Roy G. Krenkel（1918-1983）（有争议的画家）(11/7/1918 - 24/2/1983, USA)Roy G. (for Gerald) Krenkel was a talented contradiction. （2）Alexis St. John （名气不大的画家）（3）Andrew Wyeth的名画（参见：“十万个为什么”） Andrew Wyeth (American, 1917-), Christinas World, 1948, tempera on gessoed panel, 32 1/4 x 47 3/4 inches, Museum of Modern Art, NY. See what this house - the Olson House, Cushing, Maine - looks like today.克丽斯蒂娜的世界安德柳怀斯（1917- ）美国 描绘残疾姑娘克丽斯蒂娜向自己的家爬去的情景，引起人们对家的渴望。为什么怀斯的克丽斯蒂娜的世界能勾起人们对家的渴望？安德柳怀斯是当代美国最受欢迎的大画家，也是世界上知名度很高的一位画家。他的画，散发着泥土气息的芳香，流溢着浓浓的乡情，令人难以割舍。