1、单击此处编辑母版标题样式,单击此处编辑母版文本样式,第二级,第三级,第四级,第五级,*,-,*,单击此处编辑母版标题样式,单击此处编辑母版文本样式,第二级,第三级,第四级,第五级,*,-,*,增减译法,1.增减语法词,2.增减语义词,3.增减文化词,1,-,英汉在语法的差异,英语有冠词,汉语则没有;,英语多用代词,汉语虽然也用,但远不如英语那么频繁;,英语介词丰富,汉语介词很少,,英语中很多需用介词的地方汉语要么用动词替代,要么不用;,英语多用关联词语,汉语则少用关联词语,主要靠逻辑关系来铺排句子,强调意念的连贯性;,汉语多用助词表示各种语气,英语则没有语气助词。,因此,英译汉时,可根据具体语
2、境省略原文的冠词和某些代词、介词、关联词等,有时则可适当增加一些语气助词;汉译英则相反,多要省略原文的语气助词,而根据英语的行文需要适当增加一些冠词、代词、介词和关联词。,2,-,英汉词汇的语义范围往往有宽窄之分,并非一一对应。如果英语词汇的语义范围比汉语宽,英译汉时要采用增词法,使原文中隐含的意思得以充分表达。反之,如果英语词汇的语义范围比汉语窄,英译汉时则要采用减词法。,3,-,It is pointed out that the sheer increase in quantity of products has imposed an enormous,cost on society i
3、n the form of pollution,crowding,proliferation of wastes that need,disposal,and debilitating psychological and social effects.,一味地追求产品数量的增长已经让社会付出了巨大的代价。比如环境污染,交通拥挤,需特殊处理废物的激增,以及由此造成的负面的心理及社会影响。(增词法),The only cure for envy in the case of ordinary,men and women,is happiness,and the difficulty is that
4、 envy is itself a terrible obstacle to happiness.,对于普通人而言,治疗妒忌的惟一办法是快乐,然而困难在于,妒忌本身就是快乐的巨大障碍。(减词法),4,-,I wanted to be a man,and a man I am.,2.Keeping the intricacies and complexities out of the picture,let us take the binary opposites of the rich and the poor in the global system.,3.Their host carved
5、poured,served,cut bread,talked,laughed,proposed health.,4.In line with the latest trends in fashion,a few dress designers have been sacrificing elegance to audacity.,5.There had been too much publicity about their relationship.,5,-,6.She was more royal than the royals.,7.Ive known several people wh
6、o have overcome nail-biting simply by buying 50 nail files and distributing them everywhere:in their pockets,desks and bedrooms.,8.After the light was turned off,the rat had to wait a short time before it was released from its cage.,9.Amy settles into her seat,takes out her computer and reads over t
7、he agenda for the meeting to,which shes traveling.,10.Some people accuse me of being rude because I always introduce myself to other people I meet on trains;but I answer by telling them that the reason for my action is not curiosity but,friendliness.,6,-,例2俗语说“病来,如山倒,,病去,如抽丝,”。又不是,老君的仙,丹,,哪有,这么灵药,?你
8、只静养几天,自然就好了。红楼梦第五十二回,(1)Havent you heard the sayings:“Illness comes as fast as,a wall falling down,but goes as slowly as,unraveling a cocoon,“?He is no,Lao Tzu with a magic elixir,to cure you overnight.Just rest quietly for a few days and youll be all right.,Yang:“,A Dream of Red Mansions,”,杨译将“抽蚕丝”
9、太上老君的仙丹”这些充满中国文化色彩和生活气息的比喻照直译出(仅将“山倒”转换为熟悉的“垮墙”,更为生动贴切),虽显得陌生,但异域色彩浓厚,能让西方读者感受到一份新奇与刺激。而霍克斯(Hawkes)的译文却对此作了惯常的“归化”处理,,意在读者的理解与接受,:,7,-,(2)You know what they say:“Sickness comes like,an avalanche,but goes like,reeling silk,”.This stuff isnt,the Elixir of Life,.You cant expect it to cure you in a tw
10、inkling.Youll be all right if you take things easy for a few days.,Hawkes,:,“,The Story of the Stone,”,霍译用西方人熟悉的“雪崩”、“丝绸”代替“山倒”、“蚕茧”,用“长生不老药”代替“老君的仙丹”,这或许更容易被译文读者接受,但在表现文学作品的异域风采方面却略逊一筹,忽视了文学创作艺术风格上“求异”的本质。特别是下面一个例子,霍译基本改写了原文形式:,8,-,例3因此,宝玉只和众丫头们,掷骰子赶围棋作戏,。,红楼梦第十九回,霍译:Bao-yu played“,Racing-go,”with
11、the other maids.,This was a game in which,you moved your Go-piece across the board in according with the throw of dice the object being to reach the opposite side before everything else and pocket all the stakes.,霍克斯意图通过翻译是向西方读者介绍并让他们了解红楼梦作品的内容,因而他不在乎原文的文学风格和语言色彩,增删补改随处可见,采用的是一种“归化”策略。在上例中,他就加入了大段的阐
12、释性话语,意在减少理解障碍,利于读者接受。这样一来,顾及了读者层次,却伤害了原著的本来面貌和艺术形式,等于在原著中插入了一个旁白者,呈现给读者的实际是“译者”的文本。尽管如此,却在总体上达到了他当时预期的目的和效果,也算是一个不是办法的办法。,杨译:So Pao-yu was left to amuse himself with the other maids at,dice or draughts,.,9,-,但是,文学创作的本质就是“求异”,文学翻译也不例外,尽量传译原文的异质性差异和艺术个性,也是此类文本功能的要求。对译文读者而言,能从国外文学译作中读到新奇、陌生的东西或许更能满足他们的
13、好奇心,获得一种精神上的享受乃至思想上的启迪。我国20世纪20年代初兴起的“新文化”运动就是这方面一个最有说服力的例子,那些通过西方文学翻译作品传播过来的西方文明,那些充满新奇的语言形式、异域的文化生活和多姿多彩的社会场景,不是曾影响甚至震撼了几代中国人吗?同样,在我国五、六十年代翻译的大量的苏联文学作品中,例如马雅可夫斯基的诗歌,那铿锵的节奏、简短明快的句式,也是以汉语读者从未见过的、独特的梯形结构排列出来的,至今读来仍令人耳目一新,这不能不说是“异化”翻译的成功之处。,10,-,当然,“异化”策略的运用也要受两个因素的制约,“一是译入语语言文化规范的限度,二是译入语读者接受能力的限度”(孔致礼,2003),在这两个条件还不成熟的时候,“归化”的翻译作品,往往会因具有可读性、受读者青睐而形成主流,这也是翻译实践中“异化”成功实例少之甚少的原因。但是,这并不意味着文学翻译的“异化”方向不可取,相反,成功的“异化”会更显其独特的风采和超凡的魅力。相信随着社会的不断进步、经济文化事业的发展以及译文读者文化视野的开阔,不同民族文学作品中特有的异国情调和韵味会越来越被各国读者接受,翻译的“异化”趋势也会越来越明显。,11,-,






