《雷雨》中繁漪的人物形象分析商务英语.doc

中国某某某某学校

学生毕业设计(论文)

题 目： 《雷雨》中繁漪的人物形象分析
姓 名 ： 00000000
班级学号 ： 0000000000000
系 (部) ： 经济管理系
专 业 ： 商务英语
指导教师 ： 0000000000000
开题时间 ： 2009-04-10
完成时间 ： 2009-11-2

2009年11月2日

目    录

毕业设计任务书…………………………………………………1
毕业设计成绩评定表……………………………………………2
答辩申请书……………………………………………………3-4
正文……………………………………………………………5-6
答辩委员会表决意见……………………………………………7
答辩过程记录表…………………………………………………8

课 题：《雷雨》中繁漪的人物形象分析
一、课题(论文)提纲
1.繁漪是资产阶级的新女性
2.繁漪的反抗精神及反抗的不彻底性
3.异化的自我与自我毁灭的结局
4.总结

二、内容摘要
本文主要从三个方面，来分析繁漪的性格，并加以分析。通过一系列的典型事例来揭示,社会造就了繁漪的悲剧,繁漪反封建专制的个性与黑暗、罪恶的社会产生了不可调和的矛盾，她叛逆、 挣扎，有力的冲击了封建专制统治，最终仍是在封建社会的专制统治下，走向了毁灭。

三、 参考文献
[1]曹禺. 雷雨·序 文化生活出版社1947年版第10页.
[2]曹禺. 雷雨·序 曹禺文集[M]第1卷.北京:中国戏剧出版社.1988.12.
[3]曹禺.曹禺作品精选（雷雨）且夫选编.长江文艺出版社2004年9月第一版
[4]曹禺 .曹禺选集 北京:人民文学出版社 .2002.
[5]曹禺.曹禺作品精选（雷雨）且夫选编.长江文艺出版社2004年9月第一版
[6]杨立民.江汉大学学报（人文社会科学版）.第21卷.第3期.2002.06.
[7]余秋雨. 天涯故事 中国盲文出版社.2006年05月
[8]
[9]

On Fan Yi’s Character in “Thunderstorm”
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Abstract: This article is the mainly analysis of the character of Fan Yi from three aspects. By a series of typical examples, it reveals that the community created a Fan Yi’s tragedy; Fan Yi’s anti-feudal autocratic personality and dark, evil societies made an irreconcilable contradiction; she was rebellious, struggling and impact strongly on the feudal autocratic rule, but she still ultimately walked to the way of ruin under the autocratic rule of feudal society.
Keywords：“Thunderstorm” ，Fan Yi ， Feudal society，Image Tragedy
0. Introduction
“Thunderstorm” is Cao Yu's debut, which was written in 1933, it is published in “Literature Quarterly” in 1934. It is has been one of the best operas since China’s “54”, anyway in the past and at present, all of its amazing vitality of the arts actives on the stage in China. Through three decades of complicated contradictions and labor disputes of the families of the Zhou and Lu, formed a thrilling dramatic conflict. And it is profoundly exposed that the evil feudal and the bourgeois family’s tragic fate must be walk to the way of ruin.
Fan Yi is the most distinctive feature and the clearest character created by Cao Yu. Cao Yu once said, “Fan Yi's character is the most “Thunderstorm”. Her eyes were large and dark; they burned down the pain of a young woman quietly after despair. Occasionally she exposed faint smile: “blush spread the color of happiness in her face.” She has been subjected Fourth Movement and the received ideas of civilization, knowledge; she was smart, beautiful, and passionate, has its own vision and of happiness, loves life pursuit. At the same time, she was of aversion to one's own position suffocating the living environment, but she can not extricate themselves trapped, nowhere to go but come to realize , she was eventually swallowed by darkness.
1 Fan Yi is the new woman of the bourgeoisie.
Fan Yi is the impact of bourgeois ideas of women，she also is the fight for independence, freedom of the new women representatives , First, she was born in China's last feudal dynasty, then the Chinese in the semi feudal and semi colonial society, imperialism, feudalism and bureaucrat-comprador bourgeoisie for the exploitation of people and exploitation of more and more profoundly, the people had no personal freedom, and do not enjoy human rights. At the same time, just over the past 54 campaigns has brought light and hope for the Chinese people , for democracy, for human rights, for freedom of new ideas, new concepts, with the salvation truth of Marxism-Leninism, has gained ground. The feature of this period, and in this era of individual freedom demands the spiritual atmosphere, undoubtedly brought new development opportunities for Fan Yi, and providing spiritual power for resistance. In addition, she has received a bit on the new education in a private school, which not only makes her a higher cultural level and enrich her feelings, open her spiritual world, and more importantly is to make her more acceptable a new thing and new ideas, so when the wave of the bourgeois revolution set off, they rise up and fight bravely embarked on the road, to seek their own society, the feudal families were deprived of happiness by the impact of emancipating the mind and personality. This struggle of courage and action is to make good on them shine with the glory of the times spirit. They suppress - fight - and then suppressed - and then fight (do not hesitate to self-destructive way protests), it is a new era of women's spiritual awakening the typical course.
However, the new trend of the times are too swift, too violent, so that they had no time to comfortably absorb the new spiritual nourishment, except for retention in the soul of the old days all the imprint. As a result, they had to “semi-new” (as opposed to the modern New Woman in terms of) the gesture, and even the traditional, morbid way of thinking, struggle to seek personal happiness. A lightning, she lit up all the darkness and evil, when her soul finally gathered the courage to utter a strong cry: “I am a human, a woman to be truly alive! “That is awakening of the period, is “54” sound. Of her life for this pursuit of life for this burning, just like that The Little Match Girl, her spell her entire effort a paddling a life-match, short life, like a fire burning to electric incandescence, shock into a duo spark of light flying splendor, dazzling ringing in the ears, but it also is so short, fade away soon.
2 Fan Yi’s spirit of resistance and its lack of thoroughness
In the Zhou mansion 18 years ago, Zhou Pu Yuan married with Fan Yi through deception. The man who had studied in Germany and received the impact of popular ideas capitalists, Zhou Pu Yuan who lack of bourgeois “civilization” of color, habits preserved remnant of the feudal atmosphere, he have cold ,hypocritical soul under his “generosity” “educated” and so on camouflage jacket. He attached great importance to the position in the family, in the family, “his opinion is the law.” The Fan Yi who is imprisoned in this cage in Zhou Mansion. Zhou Mansion for Fan Yi is airtight to the “iron cassette”, which the liberation of her personality is a great limitation. It also made clear that her resistance form different from the Western bourgeois women. Western bourgeois political status of women, it did not, but there is a certain degree of freedom of personal life, and Fan Yi does not have any social freedom, she just accessories of society, material, though they have to do so, but the spirit of poverty, such as washing, her puzzled heart lead to she could not walk away from the door of Zhou.
Fan Yi has a strong spirit of resistance but she is not a ground-breaking ability and ideas woman. Her resistance is weak, vain, and not thorough. She was like a cobweb of flies closely entangled, struggle away, even though this would break their wings, even if eventually exhausted to death, but she insisted.
Fan Yi rebelliousness, mainly on the rebellion in the Zhou Pu Yuan. It runs through many of her words and deeds, but also more and more acute, more and more intense. The first conflict that Fan Yi is forced drink medicine by Zhou Pu Yuan. “I do not drink the hard stuff,” “I do not want to drink,” “I will drink tonight, ok?” She finally succumbed, and with great anger to drink medicine. The second conflict is Zhou Pu Yuan take Fan Yi to see the doctor. The Fan Yi stance is based on the Challenger appears. Zhou Pu Yuan twice to send a servant to take Fan Yi see a doctor, Fan Yi did not go, Zhou Pu Yuan only walk the bedroom of Fan Yi by himself, but he did not expect, Fan Yi is not intimidated by him, and she still did not go to see a doctor, but went back to go upstairs. Fan Yi's attitude has changed in this conflict, but the advantage is still in Zhou Pu Yuan side. The last, he let the doctor accompanied with Zhou Ping looked sick for her. The third conflict is the Fan Yi returned from Lu Home encounter Zhou Pu Yuan in a rainy night. The resistance of a more performance Fan Yi head. She interviewed each of Zhou Pu Yuan ,the answer are so dismayed by Zhou Pu Yuan, final he can only be put on the parents posture commands Fan Yi to go upstairs, but he got the answer was: “(contempt) I do not want to tell you, I do not want.” This can be seen that advantage to one side of the Fan Yi. The fourth end of the conflict in the drama. Fan Yi Zhou calls out Pu Yuan in front of everybody's face, tore his coat solemn, after each conflict, have made their relationship changed. Fan Yi resistance of Zhou Pu Yuan, but also from the negative to positive, more and more non-stop, and finally completely torn to pieces Zhou Pu Yuan “dignity” and completely destroyed the Zhou's “order,” which showed “Thunderstorm”- the knife of character.
While Fan Yi resistance of Zhou Pu Yuan, with a personality of emancipating the mind with the nature of the struggle against feudal autocracy, with a more active social significance, however, Zhou Ping even think that “she is not a normal mother,” but “The most daring, most imagined” woman, but it is not “anti-feudal” woman, her bones deposited with the traditional feudal culture deeply affected her thinking and behavior, and her sense of the deep lurking in some weak, compromise factor. She resisted despite every effort, but she did not correctly estimate herself and the disparity in the balance of power between the rivals. Therefore, under the weight of traditional thought, her habits and instinct make she can not to break free of Zhou Pu Yuan control by a personal strength. She is among the barbed wire of a beautiful rose, but was unable to break through the great moral law of feudal society network, can do “The Replacement Suspect's struggle.”
3 Self-alienation and destruction of the outcome
Fan Yi's tragic fate, there are unfortunate reasons of marriage, there are high value caused by understanding of differences in love. In the absence of dignity, there is no vitality, and an otherworldly home, her spirit are being suppressed to become distorted, alienated by the great destruction of humanity. Ultimately Fan Yi in a “mother is not a mother, mistress not his mistress,” an embarrassing position. Fan Yi, where the Zhou Pu Yuan not love, turned to Zhou Ping, where to seek emotional sustenance. Fan Yi, however, fall in love with Zhou Ping will really do? If there is no Si Feng, he can bring out the Fan Yi that “the suffering of the pit” do? Can not be! Zhou Ping this is a servant Mei Ma's son, when he was young, they were brutally deprived of motherly love, plus mansion during the week as a cold, silence with no trace of warmth of the environment, and he is faced with a tyranny, as Zhou Pu Yuan tyrant father, a sick environment, the formation of a pathological personality. A long period of authoritarian extreme pressure to form he was “hesitant, cowardly with the conflict” character “he would rush to make his own life-long curse thing.” So when he had just seen Fan Yi, big deal than his teenage step-mother had brought her tenderness that comes from women, and Fan Yi daily experienced the same kind of situation has been suppressed, so that Zhou Ping produced a kinds of feeling the same boat, but also made him the “beautiful empty-shaped” temporarily found a spiritual consolation, and he lured to his stepmother, who made “would have committed a sin also destroy dry-lun” things. As a result, and all the deformities, like love, this love is nothing but an abnormal environment, nourished by a monster, yes can not afford to live test of time. Soon Zhou Ping began to hate their relationship. Of course, this disgust with the emergence of Si Feng not necessarily linked. In other words, even if the Si Feng does not appear, Zhou Ping does not really fall in love with Fan Yi. Because:
First, after all, Zhou Ping has a moral edification of the young ，by the old feudal human relations, there is a deep scar in him. Although he does not love his father, and even some fear of him, but he thought of incest with his stepmother is still incompatible with human relations, is a sin, and this sense of guilt does not oppress him all the time, made him gasp, but up. In this psychological oppression, how could he easily face the Fan Yi, and keep the unusual relationship with her?
Second, as Fan Yi's personality, Zhou Ping is also impossible to really fall in love with him. Zhou Ping live in a highly stressful environment a long time, he particular want a kind of “living,” and “fresh”, and “youth” thing to give him a driving force. Then Fan Yi depression can only make him feel more depressed, and even decadent. It is a very important reason why he wants to get rid of such a relationship. But Fan Yi does not understand and can not understand. This is exactly Fan Yi tragedy.
Third, Zhou Ping even really love Fan Yi, he does not have enough courage to take Fan Yi away from the families. After all Zhou Ping was the petty-bourgeois intellectuals and he also has a strong psychological dependence on feudal family, he could not dare to break through the shackles of feudal family and embark on an independent life path. Zhou Ping is a fragile grass, and his shoulders can not sustain the burden of any kind ,even more terrifying is that he has to take other people's comfort ,with Fan Yi he thought would share a common language, cursing his own his father, eventually he has not conscious to his father as a model.
Fan Yi is a dedicated woman, “she will love you like a hungry dog bites a day it is most like the bones, and she hated on you come to will be like a vicious dog yelp, the no, more quietly severely to eat you”. This extreme attitude has shown in her actions, love like a fire mission, hate, like a knife, also the formation of the tragedy of her features. After several clashes, the Fan Yi was a strong selfconfidence begin to disappear, attack power has also diminished. But she played in order to restore the broken dreams, to save herself from despair. To the last scene, she is showing her great inner pain. Many of her words were to suffer humiliation, negativism speak out with their own nature: ping ok. This time, I beg you, beg you the last time. I have never refused to speak to the people who are so humble, and now I ask you to pity me, I could no longer endure to continue with the family.
“No, no, you take me away - take me out of here, (desperately) in the future, and even then you have to take Si Feng - a living, I can, as long as, as long as (warm) as long as the You do not leave me.”
This is indicative that a desperate woman's last, unable to struggle, b