《喜福会》中母爱主题的文化阐释-学位论文.doc

本科毕业论文

《喜福会》中母爱主题的文化阐释

A Cultural Interpretation of Maternal Love in the Joy Luck Club

Deng Youcheng

Under the Supervision of
Yuan Bin

School of Foreign Languages and Cultures
Panzhihua University
May 2007

攀枝花学院本科毕业论文 Abstract

攀枝花学院本科毕业论文 Contents

Contents

Abstract.……………………...................................………………..............…………I
Key Words…………………………………………………………………....………...I
摘要…….................…...................................………..………..Ⅱ
关键词……......................……...........................………………...……..............…….Ⅱ
Introduction…………………………………………………………………….……...1
I. Conflicts Between Mothers and Daughters in the Joy Luck Club…………...……3 II. Maternal Love in the Joy Luck Club…….......................………………...…………5
III. Cultural Dialogue, Communication and Understanding…..…….………..…....….8
Conclusion……………………………………………………………….……….…..10
Acknowledgements…………………………………………….………………..…...11
Bibliography……………………………………………………………….…...…….12

攀枝花学院本科毕业论文 Abstract

本科毕业论文 Abstract

Abstract

The Joy Luck Club is written by Amy Tan，a famous Chinese American writer. In the novel, she presents the stories of four Chinese-immigrant women and their American-born daughters. Each of the four Chinese women has her own view of the world based on her experiences in China and wants to share her experiences with her daughter, and they never cease to try to build a bridge over the cultural differences and conflicts between them and their daughters with their maternal love of various forms. At first the daughters don’t understand their mothers and the Chinese culture that their mothers represent, but as time elapses, the daughters begin to understand and appreciate their mothers' past and accept their mothers in the end. In fact, it is the maternal love the Joy Luck Club mothers extend to their daughters that finally makes their daughters understand them and the Chinese culture that they represent. In this sense, the maternal love not only symbolizes Chinese culture, but more importantly serves as a bridge over the mothers and daughters, and over Chinese culture and American culture.

Key Words

The Joy Luck Club; conflicts; understanding; culture; maternal love

16
攀枝花学院本科毕业论文 摘要

摘 要

《喜福会》是美国著名的华裔女作家谭恩美的代表作品。在小说中,她呈现给读者的是四位中国移民母亲与她们女儿之间的故事。这四位母亲都有着自己的世界观，她们的世界观又是立足于她们的中国生活经历。她们想把自己的经历一一讲述给女儿,并努力通过母爱的表达在她们与女儿的文化差异和冲突之间建立起沟通的桥梁。起初女儿们不能理解她们的母亲及其代表的中国文化,但随着时间的流逝,女儿们开始理解她们的母亲,同情她们母亲的悲惨过去并最终接受了她们的母亲。事实上，正是《喜福会》中母亲给予女儿们无微不至的母爱才最终使得女儿们理解了她们的母亲及其代表的中国文化。因而, 《喜福会》中的母爱不仅是中国文化的象征,更重要的是母女理解与沟通的桥梁，也是中美文化交流的桥梁。

关键词

《喜福会》；冲突；理解；文化；母爱

攀枝花学院本科毕业论文 Introduction

Introduction

Amy Tan’s the Joy Luck Club is a masterpiece in Chinese-American literature. The Joy Luck Club mothers and their daughters have been the focus of research ever since the publication of this book. Some researchers put the emphasis on the relationship between the mothers and daughters while some others believe that it is the writing style that makes Amy Tan’s the Joy Luck Club a success. For there are conflicts that have been vividly described in this book, some researchers make the conflicts in the Joy Luck Club the theme of their thesis. However, in this thesis, maternal love will be the theme, and it will be interpreted from a cultural point of view.
Through the stories of the Joy Luck Club, the secret-laden lives of four Chinese immigrant mothers and their American-born daughters are shown in front of the readers. The daughters reject their mothers’ seemingly constant criticism of everything they choose, from husbands to hairdos. They view their mothers’ warnings as irrelevant, and their advice as intrusive. The daughters do not know what has inspired their warnings and advice: the hardships their mothers suffered in China before coming to the United States. Thus, as the mothers see it, their daughters are flailing in their modern American circumstances, unable to use what is “in their bones,” the family’s inheritance of pain that led to their determined strength for survival, which their mothers try to bequeath them. The mothers, meanwhile, watch with heartache as their daughters’ marriages fail, as they expect less and less and so accept less and less. Conflicts have become something that prevents the understanding and communication between mothers and daughters. In fact, all the conflicts are caused by cultural differences. The Joy Luck Club mothers have accepted and been deeply influenced by Chinese culture, while their daughters are born and grow up in the United States and know little about Chinese culture. What they have accepted is the American mainstream culture which is somehow contradictory with Chinese culture.
However, due to the maternal love of the Joy Luck Club mothers, the mothers and daughters finally understand each other. The maternal love in the Joy Luck Club helps the daughters understand their mothers; furthermore, its significance lies in that it serves as a bridge of cultural understanding between Chinese culture and American culture.

攀枝花学院本科毕业论文 Body

I. Conflicts Between Mothers and Daughters
in the Joy Luck Club

Conflict is the main plot in the Joy Luck Club. Because the two generations are born and grow up in different cultural environments, the Joy Luck Club mothers and their daughters have many conflicts. The mothers are deeply influenced by the traditional Chinese culture, while their daughters are born and get educated in the United States, whose culture is a completely different one. Thus the Joy Luck Club mothers and daughter can never understand each other. The daughters at first have a strong prejudice against their mothers and the Chinese culture. Born in the United States and brought up in American mainstream culture, they inevitably hold a prejudice against their mothers and the Chinese culture. They believe that American culture is superior to Chinese culture. In their eyes, their mothers symbolize backwardness and ignorance. They are dissatisfied with their mothers who use toothpick in public. They are ashamed of their mothers who open jars to smell the insides in grocery stores and they are angry with their mothers who like to use them to show off. Naturally the four daughters try to identify themselves with American mainstream culture. Both Rose and Lena marry Americans or what their mothers call Waiguoren. They admire the Americans and their culture so much that they are willing to make sacrifice for their American husbands. Waverly thinks that her mother’s Chinese outlook would make her lose face when she attends her wedding, so she conspires with her beauty parlor to dress up her mother in an American style. The Joy Luck Club mothers intervene so much in their daughters’ life that the daughters feel their mothers’ love is not embracing but suffocating. Waverly, a chess prodigy thinks she has grown cleverer than her mother who gives her “invisible strength.” Lena fears being drawn into her mother’s madness and consoles herself by imagining others who have a life worse than hers. Rose, whose mother cannot let go of the memory of her son who drowned, now believes that by hoping for less, one isn’t vulnerable to loss. And June believes it is her mother’s impossibly high expectations that make her feel that even today, she is a failure.
On the other hand, for the Joy Luck Club mothers, they also cannot understand some behaviors of their American-born daughters. Their behaviors are so different from their mothers’ culture that their mothers even feel distain about the American culture. Ying-ying can’t bear the go-Dutch rule between Lena and her husband. Under the rule, the couple only pays for their common life expenditures that both of them have to use in their daily life. If they want to buy some personal commodities, they must pay for themselves. This is no surprise in the western countries, especially in the U.S. But according to the Chinese culture in which their mothers were born and grew up, it’s unacceptable. A married Chinese couple cannot calculate the family financial expenditure so clearly; they must share the burden together When (Jing-mei) Woo quarrels with her mother Suyuan, Suyuan says in Chinese, “Only two kinds of daughters, those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter! ” (Tan 124). Because in Chinese culture, children must obey their parents without any excuse. So when June makes her mother angry, Suyuan bursts out these Chinese characters. Due to the cultural differences, the Joy Luck Club mothers and daughters have many barriers in communication and understanding, and these barriers cannot be elated in a short period. For quite a long time, the Joy Luck Club mothers, who live in the United States as minority groups, are overwhelmed by American mainstream society, but they make great efforts to make their daughters understand them and the Chinese culture. They chat with their daughters about their past experiences and impart maternal love to their daughters, patiently waiting for the moment when their daughters can understand and respect them and the Chinese culture. Finally thanks to their maternal love they imparted to their daughters and the same blood that flows in their bodies, the Joy Luck Club mothers are able to make their daughters know and understand them and the Chinese culture.

II. Maternal Love in the Joy Luck Club

Every mother loves her child or children. Although the Joy Luck Club mothers are very strict with their daughters, they still love their daughters. And the maternal love the four mothers impart to their daughters is just a typical Chinese one. The maternal love of Chinese mothers is not as direct as that of American mothers. Chinese mothers do not kiss and hug their daughters and say “I love you” to them like their American counterparts. (Yu Longyu 173).The Joy Luck Club mothers all love their daughters in a Chinese way.
First, just as the woman in the preface of the Feathers From A Thousand Li Away cooes to her swan,
In America I will have a daughter just like me. But over there nobody will measured by
the loudness of her husband's belch. Over there nobody will look down on her, because
I will make her speak only perfect American English. And over there she will always be
too full to swallow any sorrow! She will know my meaning, because I will give her this
swan—a creature that became more than what was hoped for. (Tan 3 ).
, the Joy Luck Club mothers put high expectations upon their daughters. They hope their daughters will become successful. They begin to plan for their daughters’ future since they are children. They don’t care whether their daughters like the plan or not, because in traditional Chinese culture, sons and daughters must obey their parents, and they cannot rebel against the parents. If they do this, it is filial impiety, and they will be criticized by the family members and the neighbors and the society. Although the Joy Luck Club mothers have immigrated to the U.S, a brand-new country, their concept of the Chinese culture cannot be left behind in China. Both Suyuan and Lindo put great hope to their adolescent daughters. Suyuan hopes that one day her daughter will become famous like Shirley Temple. In order to turn her dream into reality, she lets Jingmei do lots of intelligence test that she has colleted from some magazines. She even trades housecleaning service for weekly piano lessons for her daughter Jingmei. Lindo wants her daughter Waverly to win as many champions as possible in chess games. When Waverly is practicing the chess game skills, she always stands behind Waverly, although she doesn’t know too much about chess. She arranges timetables for her daughter and she even asks Waverly’s brothers to clean the dish after supper, which is what Waverly has to do before she becomes a famous chess player in her district.
Second, the Joy Luck Club mothers criticize their daughters much more instead of praising them more like the American mothers. In their eyes, if they want their children to have power and skills so that they can survive in the fiercely competitive society, they have to be strict with their offspring. For the Joy Luck Club mothers, in order to make sure that their daughters are powerful enough in the future, they are very strict with their daughters and criticize them much instead of praising them. When Ying-ying thinks that Lena can go to school by herself, she urges again and again: “You must not walk in any direction but to school and back home” (Tan 87). But too much criticism makes the daughters feel dissatisfied and even angry with their mothers. They cannot accept this kind of love because they are strongly influenced by American individualism. They cannot bear their mothers’ arbitrariness and criticism no longer. Some of them openly say “no” to their mothers. Jingmei, for example, voices her strong protest: “I won’t let her change me, I promised myself. I won’t be what I’m not” (Tan 117). She even takes radical actions against her mother. In order to disappoint her mother intentionally, she discontinues her college life. And for Waverly, when her mother shows her off in the stores again and again, she can’t help shouting out her anger at her mother: “Why do you have to use me to show off? If you want to show off, why don’t you learn to play chess?” (Tan 81). The daughters can never understand their mothers on this aspect.
Third, they care too much for their daughters’life. The Chinese parents hope that their offspring will have a happy life. Even if their child or children get married, they will still pay much attention to their marital life, and want to make sure that their offspring have a happy life. For the Joy Luck Club mothers, their care and love can be reflected in the assistance they provide their daughters to solve their marriage problems. They never hesitate to help their daughters when their daughters have marriage problems. They try their best to pull their daughters out of troubles. Both Rose and Lena marry