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四川成都七中20172018学年度上学期高三英语上学期入学考试试卷无答案word版本.doc

1、四川成都七中2017-2018学年度上学期高三英语上学期入学考试试卷 无答案word版本 成都七中2017—2018学年度上期高2018届入学考试 英语试卷 考试时间:120 分钟 试题满分:150 分 注意事项: 1. 本试卷分第 I 卷(选择题)和第 II 卷(非选择题)两部分。 2. 考生务必将自己的姓名、考生号填写在答题卡上。 3. 作答时,将答案写在答题卡上。写在本试卷上无效。 4. 考试结束后.将答题卡交回。 14 / 20 第一部分听力(共两 节,满分 30 分) 第 I 卷 做题时,先将答案标在试卷上。录音内容结束后,你将有两分钟的

2、时间将试卷上的答 案转涂到答题卡上。 第一节(共 5 个小题;每小题 1.5 分,满分 7.5 分) 听下面 5 段对话。每段对话后有一个小题,从每题所给的 A、B、C 三个选项中选出 最佳选项,并标在试卷的相应位置。听完每段对话后,你都有 10 秒钟的时间来回答有关 小题和阅读下一小题。每段对话仅读一遍。 1. What kind of music does the w oman like? A. Classical music. B. Rock music. C. Country music. 2. What does the w oman w ant to buy? A.

3、Sw eets and apples. B. Oranges and apples. C. Vegetables and apples. 3. What does the man mean? A. He had a good time at the party. B. He doesn’t w ant to see his friends again. C. He didn’t enjoy the party at all. 4. What does the w oman suggest the man do? A. Go on a diet. B. Talk to her sist

4、er. C. Introduce himself first. 5. What w ill the man probably do tonight? A. Read Chapter 4. B. Study in the library. C. Watch the football match. 第二节(共 15 小题;每小题 1.5 分,满分 22.5 分) 听下面 5 段对话或独白。每段对话或独白后有几个小题,从题中所给的 A、B、C 三 个选项中选出最佳选项,并标在试卷的相应位置。听每段对话或独白前,你将有时间阅读 各个小题,每小题 5 秒钟;听完后,各小题将给出 5 秒钟的作答时

5、间。每段对话或独白读 两遍。 听第 6 段材料,回答第 6、7 题。 6. What is the probable relationship betw een the tw o speakers? A. Travel agent and customer. B. Husband and w ife. C. Boss and secretary. 7. When w ill the meetings end? A. At 3:00 p.m. B. At 5:00 p.m. C. At 6:30 p.m. 听第 7 段材料,回答第 8、9 题。 8. Why does

6、 Diana say sorry to Peter? A. She has to give up her travel plan. B. She w ants to visit another city. C. She needs to put off her test. 9. What does Diana w ant Peter to do? A. Help her w ith her study. B. Take a book to her friend. C. Teach a geography lesson. 听第 8 段材料,回答第 10 至 12 题。 10. Why

7、 can’t Jim find Susan’s home? A. Because he hasn’t been told how to get there. B. Because he forgot to bring the map Susan gave him. C. Because he is so forgetful that he can’t remember her address. 11. Where is the bank? A. It is next to the bus stop. B. It is on the corner beside the bus sto

8、p. C. It is on the corner across the street. 12. Where is Susan’s house? A. It is the seventh house from the corner on Jim’s right. B. It is the seventh house from the corner on Jim’s left. C. It is the seventeenth house from the corner on Jim’s right. 听第 9 段材料,回答第 13 至 16 题。 13. Where are the

9、new houses? A. On the main road. B. Close to a bus station. C. Near the sports center. 14. What does the w oman like most about the new houses? A. The sports center. B. The space. C. The quietness. 15. Why does the man sound uninterested? A. Because he is very interested in the book. B. Becaus

10、e he doesn’t w ant to move. C. Because he has to finish his w ork first. 16. What can w e know about the man in the end? A. He is interested in the new houses. B. He w ill c hange his mind. C. He w ill go to see the new houses. 听第 10 段材料,回答第 17 至 20 题。 17. Why have many people done everyth

11、ing possible to make sure the test goes smoothly? A. Because the students have less choices now. B. Because the text has become more important than in the past. C. Because the test is an important, life-changing event. 18. What is TRUE about traffic control during the Gaokao? A. It lasts for a l

12、ong time. B. It aims to create a peaceful environment for students. C. It does not only happen around the examination sites. 19. According to those w ho are against the traffic control, w hat is the most important lesson students should learn before graduation? A. Respect other people’s interests

13、 B. Don’t be too sensitive to the Gaokao. C. Depend on themselves in life. 20. What is the speaker ’s attitude tow ard traffic control in the end? A. Negative. B. Positive. C. Neutral(中立的). 第二部分阅读理解( 共两节,满分 40 分) 第一节(共 15 小题;每小题 2 分,满分 30 分) 阅读下列短文,从每题所给的四个选项(A、B、C 和 D)中,选出最佳选项,并在答 题卡上将该

14、项涂黑。 A Inspiring young minds! TOKNOW Mag azine is a big h it in the w orld of children’s publishing, bring ing a un ique combination of challenging ideas and good fun to young fans every month. What is so special about TOKNOW magazine? Well, it has no ads or promotions inside— Instead, i

15、t is jam-packed w ith serious ideas. TOKNOW makes complex ideas attractive and accessible to children, w ho can become involved in advanced concepts and even philosophy(哲学) —and they w ill soon discover that TOKNOW feels more like a club than just a magazine. What’s inside? Every month

16、the magazine introduces a fresh new topic w ith articles, experiments and creative things to make — the magazine also explores philosophy and w ellbeing to make sure young readers have a balanced take on life. Sounds too good to be true? Take a look on line—ev idence show s that thousands o

17、f teachers and parents know a good thing w hen they see it and recommend TOKNOW to their friends. Happy Birthday All Year! What could be more fun than a gift that keeps coming through the letterbox every month? The first magazine w ith your gift message w ill arrive in time for the special day. S

18、UBSCRIBE NOW □Annual Subscription Europe £55 Rest of World £65 □Annual Subscription with Gift Pack Includes a Mammoth Map, a passport Puzzle Booklet, and Subscription Europe £60 Rest of World £70 Refund Policy—the subscription can be cancelled w ith in 28 days and you can get your money back.

19、 21. Why is TOKNOW a special magazine? A. It entertains young parents. B. It provides serious advertisements. C. It publishes popular science fictions. D. It combines fun w ith complex concepts. 22. How much should you pay if you make a 12-month subscription to TOKNOW w ith gift pack from China

20、 A. £55. B. £60. C. £65. D. £70. 23. Subscribers of TOKNOW w ould get . A. free birthday presents B. full refund w ithin 28 days C. membership of the TOKNOW club D. chances to meet the experts in person B Fifteen years ago, I took a summer vacation in Lecce in southern Italy. After c

21、limb ing up a hill for a panoramic(全景的) view of the blue sea, w hite build ings and green olive trees, I paused to catch my breath and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a w oman approached from behind, and planted her

22、self right in front of my view. Like me, this w oman w as here to stop , sigh and appreciate the view. Patient as I w as, after about 15 minutes, my camera scanning the sun and review ing the shot I w ould eventually take, I grew frustrated. Was it too much to ask her to move so I could take j

23、ust one picture of the landscape? Sure, I could have asked her, but something prevented me from doing so. She seemed so content in her observation. I didn’t w ant to mess w ith that. Another 15 minutes passed and I grew bored. The w oman w as still there. I decided to take the photo anyw ay. And n

24、ow w hen I look at it, I think her presence in the photo is w hat makes the image interesting. The landscape, beautifu l on its ow n, somehow comes to life and breathes because this w oman is engaging w ith it. This photo, w ith the unique beauty that unfolded before me and that w oman w ho “ruined

25、 it, now hangs on a w all in my bedroom. What w ould she think if she knew that her figure is captured(捕捉) and frozen on some stranger’s bedroom w all? A bedroom, after all, is a very private space, in w hich some w oman I don’t even know has been immortalized(使……永存). In some w ays, she lives in

26、my house. Perhaps w e all live in each others’space. Perhaps this is w hat photos are for: to remind us that w e all appreciate b eauty, that w e all share a common desire for pleasure, for connection, for something that is greater than us. That photo is a reminder, a captured moment, an unsp

27、oken conversation betw een tw o w omen, separated only by a thin square of glass. 24. What happened w hen the author w as about to take a photo? A. Her camera stopped w orking. B. A w oman blocked her view. C. Someone asked her to leave. D. A friend approached from behind. 25. In the author ’

28、s opinion, w hat makes the photo so alive? A. The rich color of the landscape. B. The perfect positioning of the c amera. C. The w oman’s existence in the photo. D. The soft sunlight that summer day. 26. The photo on the bedroom w all enables the author to better understand . A.

29、the need to be close to nature B. the importance of private space C. the joy of the vacation in Italy D. the shared passion for beauty 27. The passage can be seen as the author ’s reflections upon . A. a particular life experience B. the pleasure of traveling C. the art of photogra

30、phy D. a lost friendship C Hilversum is a medium-sized city betw een the major cit ies of Amsterdam and Utrecht in the Gooi area of North Ho lland, the Netherlands. Un lik e most of the Netherlands, Hilversum is actually in a hilly area w ith the soil mostly consisting of sand. Once

31、called the Garden of Amsterdam, it still attracts travelers to come over to cycle and w alk through the surrounding forests. They visit it for a relaxing day off from the urban madness. For Dutch people, Hilversum is all about textile(纺织) and media industries, and modern architecture. In histor

32、y, Hilversum w as largely an agricultural area. Daily life w as marked by farming, sheep raising and w ool production. A railw ay link to Amsterdam in 1874 attracted rich traders from Amsterdam to Hilversum. They built themselves large villas( 别墅) in the w ooded surroundings of the tow

33、n. One of the families moving in w as the Brenninkmeijers, currently the w ealthiest family of the Nether lands. They moved in after big success in the textile industry and aided a substantial text ile industry in Netherlands. But the textile boom lasted only several decades. The last factor

34、y closed in the 1960s. The change to a media economy started in 1920,w hen the Nederlandse Seintoestellen Fabri- ek(NSF) established a radio factory in Hilversum.Most radio stations settled in the large villas in the leafy areas of the tow n. Televis ion gave another push to the local econo

35、my. Hilversum became the media capital of the Netherlands, and Dutch television stars moved into the leafy neighborhoods surrounding the tow n. In the early 1900s, modern architects W.M. Dudok and J. Duiker placed hundr eds of remarkable build ings in Hilversum. These modern architectura

36、l masterpieces (杰作) are so many that Hilversum almost feels like an open air museum. Dudok alone shaped most of 20th century Hilversum and approximately 75 build ings still bear his unique characteristics. His masterpiece, Hilversum Tow n Hall, w as built in 1928-1931. It has w ide international fa

37、me and is included in many architecture textbooks. The build ing has a remarkable shape and looks like a combination of “blocks”. Actually, one may start his journey of modern architecture by w alking or bik ing the W.M. Dudok Architectural Route in Hilversum. 28.Hilversum is different from most of

38、 the Netherlands in that . A. it has a large population B. it is cut off from big cities C. it has many beautiful gardens D. it is in a hilly area w ith sandy soil 29. What w as the greatest contribution of the Brenninkmeijers to Hilversum? A. Building a railw ay link to Amsterda

39、m. B. Helping the industry to develop. C. Constructing large villas for the poor. D. Assisting its agricultural industry. 30. The beginning of the media industry in Hilversum w as marked by the establishment of . A. a radio factory B. the media capital C. a radio station D. a TV station

40、 31. What is know n about W.M .Dudok’s Hilversum Tow n Hall? A. It consists of approximately 75 buildings. B. It looks like an open air museum in the city. C. It is a classic example in architecture textbooks . D. It has shaped most of 20 century Hilversum. D The values of artistic w orks,

41、 according to cultural relativ ism (相对主义),are simply reflections of local social and economic conditions. Such a view, how ever, fails to explain the ability of some w orks of art to excite the human mind across cultures and through centuries. History has w itnessed the endless production

42、s of Shakespearean plays in every major languag e of the w orld. It is never rare to find that Mozart packs Japanese concert halls, as Japanese painter Hiroshige does Paris galler ies. Uniqu e w orks of this kind are different from today’s popular art, even if they began as w orks of popula

43、r art. They have set themselves apart in their timeless appeal and w ill probably be enjoyed for centuries into the future. In a 1757 essay, the philosopher David Hume argued that because “the general principles of taste are uniform(不变的)in human nature,” the value of some w orks of art might be es

44、sentially permanent. He observed that Homer w as still adm ired after tw o thousand years. Works of this type, he believed, spoke to deep and unvarying features of human nature and could continue to exist over centuries. Now researchers are applying scientific methods to the study of the universal

45、ity of art. For example, evo lution ary psychology is being used by literary scholars to explain the long- lasting themes and plot devices in fiction. The structures of musical pieces are now open to experimental analysis as never before. Research findings seem to indicate that the cre

46、ation by a great artist is as permanent an achievement as the discovery by a great scientist. 32. According to the passage, w hat do w e know about cultural relativism? A. It introduces different cultural values. B. It explains the history of artistic w orks . C. It relates artistic values to lo

47、cal conditions . D. It excites the human mind throughout the w orld. 33. In Paragraph 2, the artists are mentioned in order to show that . A. great w orks of art can go beyond national boundaries B. history gives Art w orks special appeal to set them apart C. popular arts are

48、hardly distinguishable from great arts D. great artists are skilled at combining various cultures 34. According to Hume, some w orks of art can exist for centuries because . A. they are results of scientific study B. they establish some general principles of art C. they are created by the w o

49、rld’s greatest artists D. they appeal to unchanging features of human nature 35. Which of the follow ing can best serve as the title of the passage? A. Are Artistic Values Universal? B. Are Popular Arts Permanent? C. Is Human Nature Uniform? D. Is Cultural Relativism Scientific? 第二节 (共 5 小题

50、每小题 2 分, 满分 10 分) 根据短文内容,从短文后的选项中选出能填入空白处的最佳选项。选项中有两项为多余选 项。 Every animal s leeps, but the reason for this has remained foggy. When lab rats are not allow ed to sleep, they die w ithin a month. 36 One idea is that sleep helps us strengthen new memories. 37 We know that, w hil

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