6.Chinese-art中国传统文化-中国艺术幻灯片.ppt

单击此处编辑母版标题样式,单击此处编辑母版文本样式,第二级,第三级,第四级,第五级,*,Chinese Art,Unit 6-2,1,Chinese art,:,A brief introduction,Chinese art,has varied throughout its,ancient history,divided into periods by the ruling,dynasties of China,and changing technology.Different forms of art have been influenced by great philosophers,teachers,religious figures and even political leaders.Chinese art encompasses,fine arts,folk arts,and,performance arts,.,2,Fine art,Fine art,describes an,art form,developed primarily for,aesthetics,and/or concept rather than,utility,.Today,the fine arts commonly include,visual,and,performing art,forms,such as,painting,sculpture,music,dance,theatre,architecture,photography,and,printmaking,.However,in some institutes of learning or in museums,fine art,and frequently the term,fine arts,(pl.)as well,are associated exclusively with the visual art forms.,Art,is often a synonym for fine art in this sense,as employed in the term art gallery.Historically,the fine arts were limited to,painting,sculpture,architecture,and,engraving.,3,History of the Art,Early forms of art in China were made from pottery and jade in the Neolithic period,to which was added bronze in the,Shang Dynasty,.The Shang are most remembered for their blue casting,noted for its clarity of detail.,In early imperial China,porcelain,was introduced and was refined to the point that in English the word,china,has become synonymous with high-quality porcelain.,4,Porcelain art(Yangshao Culture),5,Jade Carving(Hongshan and Liangzhu Culture),6,History of the Art,Around the 1st century AD,Buddhism,arrived in China,though it did not become popular until the 4th century.At this point,Chinese Buddhist art began to flourish,a process which continued through the 20th century.It was during the period of Imperial China that,calligraphy,and painting became highly appreciated arts in court circles,with a great deal of work done on silk until well after the invention of paper.,7,Terracotta Army,(,兵马俑,),The,terracotta,figures,dating from 210 BC,were discovered in 1974 by some local farmers near,Xian,Shaanxi,province,China near the Mausoleum of the First Qin Emperor.(秦始皇陵).The figures vary in height(183195cm-6ft6ft 5in),according to their role.,8,西汉霍去病墓石雕 东汉马踏飞燕（甘肃张掖出土）,9,隋朝的鎏金菩萨像 山西五台山南禅寺唐代彩塑,10,元代释迦牟尼白瓷佛像,明代鎏金观音坐像,11,History of the Art,Buddhist architecture and sculpture thrived in the,Sui,and,Tang dynasty,.Of which,the Tang Dynasty was particularly open to foreign influence.Buddhist sculpture returned to a classical form,inspired by,Indian art,of the,Gupta period,.Towards the late Tang dynasty,all foreign religions were outlawed to support,Taoism,.,12,History of the Art,In the,Song Dynasty,paintings of more subtle expression of landscapes appeared,with blurred outlines and mountain contours which conveyed distance through an impressionistic treatment of natural phenomena.It was during this period that in painting,emphasis was placed on spiritual rather than emotional elements,as in the previous period.,13,溪山楼观图,燕文贵 卷,14,History of the Art,In the,Yuan dynasty,painting by the Chinese painter,Zhao Mengfu,(趙孟頫)greatly influenced later Chinese landscape painting.,Artwork in the Ming dynasty perfected color painting and color printing,with a wider color range and busier compositions than Song paintings.,15,History of the Art,16,History of the Art,Under efforts of masters from the Shanghai School during the late Qing Dynasty,traditional Chinese art reached another climax and continued to the present in forms of the“,Chinese painting,”(国画).The Shanghai School challenged and broke the literati tradition of Chinese art,while also paying technical homage to the ancient masters and improving on existing traditional techniques.,17,Gu Kaizhi,(,顾恺之,),Gu Kaizhi,(,顾恺之，,ca.344-406),is a celebrated painter of ancient,China,.His,style name,was Changkang(,长康,).He was born in,Wuxi,Jiangsu,province and first painted at,Nanjing,in 364.He was also a talented poet and calligrapher.He wrote three books about painting theory:,On Painting,(,画论,),Introduction of Famous Paintings of Wei and Jin Dynasties,(,魏晋胜流画赞,)and,Painting Yuntai Mountain,(,画云台山记,).He wrote:In figure paintings the clothes and the appearances were not very important.The eyes were the spirit and the decisive factor.,Gus art is known today through copies of three silk handscroll paintings attributed to him.Many of the major works are in the hands of foreign museums.They are under protection and care,but it is uncertain if China will ever request their return.,18,晋 顾恺之：女史箴图,Admonitions of the Instructress to the Palace Ladies,19,晋 顾恺之 洛神赋图卷（宋摹本）,Nymph of the Luo River,20,Zhan Ziqian,(,展子虔,),Zhan Ziqian,(,展子虔,c.mid to late 6th century)was a famous,painter,of ancient,China,from Yangxin county(,阳信县,),Shandong,province.His birth and death dates are unknown.It is known that in the,Sui dynasty,(,581,618,)he was appointed to the office of Chaosan Dafu(,朝散大夫,)and later of Zhangnei Dudu(,帐内都督,).,According to the historical documents,he painted a number of genres and religion paintings which have not survived.He was especially noted for his paintings of pavilions and people,and horses.His paintings of people were particularly lifelike.The only painting by him that survives today is,Strolling About in Spring,which is a perspective arrangement of mountains.,21,隋 展子虔：,游春图,Strolling About in Spring,22,Wang Wei,(王维),Wang Wei,(王维，字摩诘，also known as,Wang Youcheng,)(699759)was a,Tang Dynasty,Chinese,poet,musician,painter,and statesman.He was one of the most famous men of arts and letters of his time.His paintings survive only in later copies by other artists,but numerous poems are preserved and some were included in the highly influential 18th century anthology,Three Hundred Tang Poems,.,23,唐 王维,雪溪图,传世的,雪溪图,可以说是最接近于史载王维绘画风格的一件作品。绢本，水墨，纵,36.6,厘米，横,30,厘米，无款，有宋徽宗赵佶题签“王维雪溪图”。,24,唐 张萱,虢国夫人游春图,唐 周方,簪花仕女图,25,唐 韩干,牧马图,26,Zhang Zeduan,(,张择端,),Zhang Zeduan,(,张择端，,11th-12th century AD),alias Zheng Dao,was a famous Chinese painter during the twelfth century,during the transitional period from the,Northern Song,to the,Southern Song,Dynasty,and was instrumental in the early history of the Chinese art style known as,shan shui,.,27,张择端,清明上河图,（局部,1,）,28,张择端,清明上河图,（局部,2,）,29,张择端,清明上河图,全图欣赏,范宽,31,五马图,北宋 李公麟,32,Zhao Ji(赵佶),Emperor Huizong,(宋徽宗赵佶，10821135)was the eighth and one of the most famous emperors of the,Song Dynasty,of,China,with a personal life spent amidst luxury,sophistication and art but ending in tragedy.,Huizong was famed for his promotion of,Taoism,.He was also a skilled,poet,painter,calligrapher,and,musician,.He sponsored numerous artists at his court,and the catalogue of his imperial painting collection lists over 6,000 known paintings.,33,柳鸦图,北宋 赵佶,34,腊梅山禽图,北宋 赵佶,35,Huang Gongwang(,黄公望,),Hung Gngwng,(黃公望，1269-1354)was a painter from,Jiangsu,.He is the oldest of the four great masters of the,Yuan,（元大四家）.After serving as an official he acted as a,Taoist,priest.He spent his last years in the Fu-chun mountains near,Hangzhou,devoting himself to Taoism.,In art he rejected the landscape conventions of his eras Academy,but is regarded as one of the great literati painters.He had two styles.One was dependent on the use of purple and the other preferred black ink.Like all other Chinese scholar-officials of his era,he was also a poet.Lastly he had some talent for music.,36,元 黄公望,富春山居图,37,富春山居图,（局部）,38,Zhao Mengfu,(赵孟頫),Zhao Mengfu,(赵孟頫,12541322),courtesy name,Ziang,(子昂),pseudonyms,Songxue,(松雪,Pine Snow),Oubo,(鸥波,Gull Waves),and,Shuijinggong Daoren,(水精宫道人,Master of the Crystal Palace),was a prince and descendant of the,Song Dynasty,and a,Chinese,scholar,painter,and,calligrapher,during the,Yuan Dynasty,.,39,元 赵孟頫,秋郊飲馬圖,40,赵孟頫,鵲華秋色圖,41,Tang Yin,(,唐寅,),Tang Yin,(,唐寅,1470-1524)is one of the most notable painters in,Chinese,art history.He is one of the painting elite“the Four Masters of,Ming Dynasty,”(,明四家,),which also includes,Shen Zhou,(,沈周,1427-1509),Wen Zhengming,(,文征明,1470-1559)and Qiu Ying(,仇英,ca.1495-1552).Tang is also a talented poet.Together with his contemporaries,Wen Zhengming,and,known as the“Four Literary Masters of the Wuzhong Region”(,吴中四才子,).,42,唐寅,落霞孤鹜图,小桥流水扇面,43,Bada Shanren,(八大山人),Bada Shanren,(八大山人,literally Mountain Man of the Eight Greats,ca.16261705),born as,Zhu Da,(朱耷),was a,Chinese,painter,of,shuimohua,and a,calligrapher,.He was of noble lineage,being a descendant of the,Ming dynasty,prince,Zhu Quan,.Bada Shanren,a purported child prodigy,began painting and writing,poetry,in his early childhood.,Art historians have named him as a leading painter of the early,Qing,period.His paintings feature sharp brush strokes which are attributed to the sideways manner by which he held his brush.,44,八大山人,八哥图,45,八大山人,鳜鱼图,46,八大山人,墨荷水鸟图,47,Eight Eccentrics of Yangzhou,(扬州八怪),Eight Eccentrics of Yangzhou,(扬州八怪)is the name for a group of eight,Chinese painters,known in the,Qing,for rejecting the orthodox ideas about painting in favor of a style deemed expressive and individualist.,The term was also used because they each had strong personalities at variance with the conventions of their own time.Most of them were from impoverished or troubled backgrounds.Still the term is,generally,more a statement about their style rather than being a judgment of them as personally being among historys noted eccentrics.,48,李方膺（,1695-1755,）,梅花册页图,49,罗聘（,1733-1799,）,竹笋图,50,李鱓,（,1686-1762,）,岁寒三友图,51,高翔,(1688-1753),八仙图,52,Giuseppe Castiglione,S.J.,(郎世宁),Giuseppe Castiglione,S.J.(郎世宁，July 19,1688 July 17,1766)was an,Italian,Jesuit Brother,missionary,in,China,painter,at the court of the Emperor.,Born in,Milan,s San Marcellino district,Castiglione studied painting in Italy with,Carlo Cornara,of the renowned,Bottega degli Stampatori,painting studio.In 1709,he became a,Jesuit,and in 1715,he,went to China as a missionary,.His skill as an artist was appreciated by the Emperor,Qianlong,.His style was a unique blend of European painting with Chinese subjects and themes.,While in China,Castiglione took the name,Lang Shining,(郎世寧).In addition to his demonstrable skill as a painter,he was also in charge of designing the,Western-Style Palaces,in the imperial gardens of the,Old Summer Palace,.This prominent Jesuit artist,architect,and missionary died in,Beijing,.,53,（清）郎世宁,嵩献英芝图,54,郎世宁,英骥子图,55,郎世宁,聚瑞图,56,