1、2023年全国硕士硕士招生考试英语(一)试题Section I Use of EnglishDirections:Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points)AncientGreekphilosopherAristotleviewed laughter as “a bodily exercise precious to health.” But1some claims to the cont
2、rary, laughing probably has little influence on physical fitness. Laughter does2short-term changes in the function of the heart and its blood vessels,3heart rate and oxygen consumption.But because hard laughter is difficult to4,a good laugh is unlikely to have5benefits the way, say, walking or joggi
3、ng does.6, instead of straining muscles to build them, as exercise does, laughter apparently accomplishes the7. Studies dating back to the 1930s indicate that laughter8muscles, decreasing muscle tone for up to 45 minutes after the laugh dies down.Such bodily reaction might conceivably help9the effec
4、ts of psychological stress. Anyway, the act of laughing probably does produce othertypes of10feedback that improve an individuals emotional state.11one classical theory of emotion, our feelings are partially rooted12physical reactions. It was argued at the end of the 19thcentury that humans do not c
5、ry13they are sad but that they become sad when the tears begin to flow.Although sadness also14tears, evidence suggests that emotions can flow15muscular responses. In an experiment published in 1988, social psychologist Fritz Strack of the University of Wrzburg in Germany asked volunteers to16a pen e
6、ither with their teeth thereby creating an artificial smile or with their lips, which would produce a(n)17expression. Those forced to exercise their smiling muscles18more enthusiastically to funny cartoons than did those whose mouths were contracted in a frown,19that expressions may influence emotio
7、ns rather than just the other way around.20, the physical act of laughter could improve mood.1.Aamong B except C despite D like2.Areflect B demand C indicate Dproduce3.Astabilizing Bboosting Cimpairing D determining4.Atransmit B sustain C evaluate D observe5.AmeasurableB manageable C affordable D re
8、newable6.AIn turn B In fact C In addition D In brief7.Aopposite B impossible C average D expected8.Ahardens B weakens C tightens Drelaxes9.Aaggravate B generate Cmoderate Denhance10.Aphysical Bmental C subconscious Dinternal11.AExcept for BAccordingto C Dueto DAs for12.Awith B on Cin Dat13.Aunless B
9、 until C if Dbecause14.Aexhausts B follows Cprecedes Dsuppresses15.Ainto Bfrom C towards D beyond16.Afetch B bite C pick Dhold17.Adisappointed Bexcited C joyful D indifferent18.Aadapted B catered C turned D reacted19.Asuggesting B requiring C mentioningD supposing20.A Eventually B Consequently C Sim
10、ilarly D ConverselySection II Reading ComprehensionPart ADirections:Read the following four texts. Answer the questions below each text by choosing A, B, C or D. Mark your answers on ANSWER SHEET 1. (40 points)Text 1The decision of the New York Philharmonic to hire AlanGilbert as its next music dire
11、ctor has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2023. For the most part, the response has been favorable, to say the least. “Hooray! At last!” wrote Anthony Tommasini, a sober-sided classical-music critic.One of the reasons why the appoint
12、ment came as such a surprise, however, is that Gilbert is comparatively little known. Even Tommasini, who had advocated Gilberts appointment in theTimes, calls him “an unpretentious musician with no air of the formidable conductor about him.” As a description of the next music director of an orchest
13、ra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that seems likely to have struck at least someTimesreaders as faint praise.For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interestin
14、g compositions, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no
15、 substitute for live performance are missing the point. For the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical music
16、ians of the 20thcentury. These recordings are cheap, available everywhere, and very often much higher in artistic quality than todays live performances; moreover, they can be “consumed” at a time and place of the listeners choosing. The widespread availability of such recordings has thus brought abo
17、ut a crisis in the institution of the traditional classical concert.One possible response is for classical performers to program attractive new music that is not yet available on record. Gilberts own interest in new music has been widely noted: Alex Ross, a classical-music critic, has described him
18、as a man who is capable of turning the Philharmonic into “a markedly different, more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestras repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relati
19、onship between Americas oldest orchestra and the new audience it hopes toattract.21. We learn from Paragraph 1 that Gilberts appointment hasA incurred criticism.B raised suspicion.C received acclaim.D aroused curiosity.22.Tommasini regards Gilbert as an artist who isA influential.B modest.C respecta
20、ble.D talented.23. The author believes that the devoted concertgoersA ignore the expenses of live performances.B reject most kinds of recorded performances.C exaggerate the variety of live performances.D overestimate the value of live performances.24.According to the text, which of the following is
21、true of recordings?A They are often inferior to live concerts in quality.B They are easily accessible to the general public.C They help improve the quality of music.D They have only covered masterpieces.25.Regarding Gilberts role in revitalizing the Philharmonic, the author feelsA doubtful.B enthusi
22、astic.C confident.D puzzled.Text 2When Liam McGee departed as president of Bank of America in August, his explanation was surprisingly straight up. Rather than cloaking his exit in the usual vague excuses, he came right out and said he was leaving “to pursue my goal of running a company.” Broadcasti
23、ng his ambition was “very much my decision,” McGee says. Within two weeks, he was talking for the first time with the board of Hartford Financial Services Group, which named him CEO and chairman on September 29.McGee says leaving without a position lined up gave him time to reflect on what kind of c
24、ompany he wanted to run. It also sent a clear message to the outside world about his aspirations. And McGee isnt alone. In recent weeks the No. 2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize succession plans in response
25、 to shareholder pressure, executives who dont get the nod also may wish to move on. A turbulent business environment also has senior managers cautious of letting vague pronouncements cloud their reputations.As the first signs of recovery begin to take hold, deputy chiefs may be more willing to make
26、the jump without a net. In the third quarter, CEO turnover was down 23% from a year ago as nervous boards stuck with the leaders they had, according to Liberum Research. As the economy picks up, opportunities will abound for aspiring leaders.The decision to quit a senior position to look for a bette
27、r one is unconventional. For years executives and headhunters have adhered to the rule that the most attractive CEO candidates are the ones who must bepoached. Says Korn/Ferry senior partner Dennis Carey: “I cant think of a single search Ive done where a board has not instructed me to look at sittin
28、g CEOs first.”Those who jumped without a job havent always landed in top positions quickly. Ellen Marram quit as chief of Tropicana a decade ago, saying she wanted to be a CEO. It was a year before she became head of a tiny Internet-based commodities exchange. Robert Willumstad left Citigroup in 202
29、3 with ambitions to be a CEO. He finally took that post at a major financial institution three years later.Many recruiters say the old disgrace is fading for topperformers. The financial crisis has made it more acceptable to be between jobs or to leave a bad one. “The traditional rule was its safer
30、to stay where you are, but thats been fundamentally inverted,” says one headhunter. “The people whove been hurt the worst are those whove stayed too long.”26.When McGee announced his departure, his manner can best be described as beingA arrogant.B frank.C self-centered.D impulsive.27.According to Pa
31、ragraph 2, senior executives quitting may be spurred byA their expectation of better financial status.B their need to reflect on their private life.C their strained relations with the boards.D their pursuit of new career goals.28.The word “poached” (Line 3, Paragraph 4) most probably meansA approved
32、 of.B attended to.C hunted for.D guarded against.29.It can be inferred from the last paragraph thatA top performers used to cling to their posts.B loyalty of top performers is getting out-dated.C top performers care more about reputations.D its safer to stick to the traditional rules.30.Which of the
33、 following is the best title for the text?A CEOs: Where to Go?B CEOs: All the Way Up?C Top Managers Jump without a NetD The Only Way Out for Top PerformersText 3The rough guide to marketing success used to be that you got what you paid for. No longer. While traditional “paid” mediasuch as television
34、 commercials and print advertisements still play a major role, companies today can exploit many alternative forms of media. Consumers passionate about a product may create “earned” media by willingly promoting it to friends, and a company may leverage “owned” media by sending e-mail alerts about pro
35、ducts and sales to customers registered with its Web site. The way consumers now approach the process of making purchase decisions means that marketings impact stems from a broad range of factors beyond conventional paid media.Paid and owned media are controlled by marketers promoting their own prod
36、ucts. For earned media, such marketers act as the initiator for users responses. But in some cases, one marketers owned media become another marketers paid media for instance, when an e-commerce retailer sells ad space on its Web site. We define such sold media as owned media whose traffic is so str
37、ong that other organizations place their content or e-commerce engines within that environment. This trend, which we believe is still in its infancy, effectively began with retailers and travel providers such as airlines and hotels and will no doubt go further. Johnson & Johnson, for example, has cr
38、eated BabyCenter, a stand-alone media property that promotes complementary and even competitive products. Besides generating income, the presence of other marketers makes the site seem objective, gives companies opportunities to learn valuable information about the appeal of other companies marketin
39、g, and may help expand user traffic for all companies concerned.The same dramatic technological changes that have provided marketers with more (and more diverse) communications choices have also increased the risk that passionate consumers will voice their opinions in quicker, more visible, and much
40、 more damaging ways.Such hijacked media are the opposite of earned media: an asset or campaign becomes hostage to consumers, other stakeholders, or activists who make negative allegations about a brand or product. Members of social networks, for instance, are learning that they can hijack media to a
41、pply pressure on the businesses that originally created them.If that happens, passionate consumers would try to persuade others to boycott products, putting the reputation of the target company at risk. In such a case, the companys response may not be sufficiently quick or thoughtful, and the learni
42、ng curve has been steep. Toyota Motor, for example, alleviated some of the damage from its recall crisis earlier this year with a relatively quick and well-orchestrated social-media response campaign, which included efforts to engage with consumers directly on sites such as Twitter and the social-ne
43、ws site Digg.31. Consumers may create “earned” media when they areA obsessed with online shopping at certain Web sites.B inspired by product-promoting e-mails sent to them.C eager to help their friends promote quality products.D enthusiastic about recommending their favorite products.32. According t
44、o Paragraph 2, sold media featureA a safe business environment.B random competition.C strong user traffic.D flexibility in organization.33. The author indicates in Paragraph 3 that earned mediaA invite constant conflicts with passionate consumers.B can be used to produce negative effects in marketin
45、g.C may be responsible for fiercer competition.D deserve all the negative comments about them.34. Toyota Motors experience is cited as an example ofA responding effectively to hijacked media.B persuading customers into boycotting products.C cooperating with supportive consumers.D taking advantage of
46、 hijacked media.35. Which of the following is the text mainly about?A Alternatives to conventional paid media.B Conflict between hijacked and earned media.C Dominance of hijacked media.D Popularity of owned media.Text 4Its no surprise that Jennifer Seniors insightful, provocative magazine cover stor
47、y, “I Love My Children, I Hate My Life,” is arousing much chatter nothing gets people talking like the suggestion that child rearing is anything less than a completely fulfilling, life-enriching experience. Rather than concluding that children make parents either happy or miserable, Senior suggests we need to redefine happin