白酒制造厂生产废水及循环冷却水立项可行性研究报告书.doc

personify the vanishing aristocracy of the South, still maintaining a black servant and being ruthless betrayed by a moneymaking Yankee. Sometimes a part of a characters body or an attribute may convey symbolic meaning, for example, a baleful eye in Edgar Allan Poes “The Tell-Tale Heart.” 4. Symbol used in works of fiction is the symbolic act Another kind of symbol commonly employed in works of fiction is the symbolic act: an act or a gesture with larger significance than its literal meaning. Captain Ahab in Melvilles Moby-Dick deliberately snaps his tobacco pipe and throws it away before setting out in pursuit of the huge whale, a gesture suggesting that he is determined to take his revenge and will let nothing to distract him from it. Another typical symbolic act is the burning of the barn by the boys father in Faulkners “Barn Burning”: it is an act of no mere destroying a barn, but an expression of his profound spite and hatred towards that class of people who have driven his family out of his land. His hatred extends to anything he does not possess himself and, beyond that, burning a barn reflects the fathers memories of the “waste and extravagance of war” and the “element of fire spoke to some deep mainspring” in his being.5. A symbol is a tropeIn a broad literary sense, a symbol is a trope that combines a literal and sensuous quality with an necessary or suggestive aspect. However, in literary criticism it is necessary to distinguish symbol from image, metaphor, and, especially, allegory.An imageAn image is a literal and concrete representation of a sensory experience or of an object that can be known by one or more of the senses. It is the means by which experience in its richness and emotional complexity is communicated. (Holman and Harmon, A Handbook to Literature, 1986) Images may be literal or figurative, a literal image being one that involves no necessary change or extension in the obvious meaning of the words. Prose works are usually full of this kind of image. For example, novels and stories by Conard and Hemingway are noted for the evocative power of their literal images. A figurative image is one that involves a “turn” on the literary meaning of the words. For example, in the lines “It is a beauteous evening, calm and free; /The holy time is quiet as a nun,” the second line is highly figurative while the first line evokes a literal image. We consider an image, whether literal or figurative, to have a concrete referent in the objective world and to function as image when it powerfully evokes that referent; whereas a symbol functions like an image but differs from it in going beyond the evocation of the objective referent by making that referent suggest to the reader a meaning beyond itself. In other words, a sysmbol is an image that evokes an objective, concrete reality, but then that reality suggests another level of meaning directly; it evokes an object that suggests the meaning, with the emphasis being laid on the latter part. As Coleridge said, “It partakes of the reality which it renders intelligible.Metaphor A metaphor is an implied analogy imaginatively identifying one object with another and ascribing to the first object one or more of the qualities of the second, or investing the first with emotional or imaginative qualities associated with the second. It is not an uncommon literacy device in fiction, though it is more commonly used in poetry while simile is more commonly used in prose. A metaphor emphasizes rich suggestiveness in the differences between the things compared and the recognition of surprising but unsuspected similarities. Cleanth Brooks uses the term “functional metaphor” to describe the way in which the metaphor is able to have “referential” and “emotive” characteristics, and to go beyond those characteristics to become a direct means in itself of representing a truth incommunicable by other means. When a metaphor performs this function, it is behaving as a symbol. But a symbol differs from a metaphor in that a metaphor evokes an object in order to illustrate an idea or demonstrate a quality, whereas a symbol embodies the idea or the quality.AllegoryAn allegory is a story in which persons, places, actions, and things are equated with meanings that lie outside of the story itself. Thus it represents one thing in the guise of anotheran abstraction in the form of a concrete image. A clear example is the old Arab fable of the frog and scorpion, who me one day on the bank of the Nile, which they both wanted to cross. The frog offered to ferry the scorpion over on his back, provided the scorpion promised not to sting him. The scorpion agreed so long as the frog would promise not to drown him. The mutual promise exchanged, they crossed the river. On the far bank the scorpion stung the frog mortally. “Why did you do that?” croaked the frog, as he lay dying. “Why?” replied the scorpion. “Were both Arabs, arent we?” If we substitute for the frog a “Mr. Goodwill” and for the scorpion “Mr. Treachery” or “Mr. Two-face”, and we make the river any river, and for “Were both Arabs” we substitute “Were both men,” we can make the fable into an allegory. In a simple allegory, characters and other ingredients often stand for other definite meanings, which are often abstractions. We have met such a character in the last chapter: Faith in Hawthornes “Young Goodman Brown.” A classical allegory is the medieval play Everyman, whose protagonist represents us all, and who, deserted by false friends named Kinddred and Goods, faces the judgment of God accompanied only by a faithful friend called Good Deeds. In John Bunyans Pilgrims Progress, the protagonist, Christian, struggles along the difficult road towards salvation, meeting along the way with such persons as Mr. Worldly Wiseman, who directs him into a comfortable path (a wrong turn), and the resident of a town called Fair Speech, among them a hypocrite named Mr. Facing-both-ways. One modern instance is George Orwells Animal Farm, in which (among its double meanings) barnyard animals stand for human victims and totalitarian oppressors. Allegory attempts to evoke a dual interest, one in the events, characters, and setting presented, and the other in the ideas they are intended to convey or the significance they bear. Symbol differs from allegory, according to Coleridge, in that in allegory the objective referent evokes is without value until it acquires fixed meaning from its own particular structure of ideas, whereas a symbol includes permanent objective value, independent of the meanings that it may suggest.In a broad sense, all stories are symbolic, that is, the writer lends the characters and their actions some special significance. Of course, this is to think of symbol in an extremely broad and inclusive way. For the usual purpose of reading a story and understanding it, there is probably little point in looking for symbolism in every word, in every stick or stone, in every striking fo a match, in every minor character. But to refuse to think about the symbolic meanings would be another way to misread a story. So to be on the alert for symbols when reading fiction is perhaps wiser than to ignore them.How, then, do we recognize a symbol in fiction when we meet it? Fortunately, the storyteller often givens the symbol particular emphasis. It may be mentioned repeatedly throughout the story; it may even be indicated in the title (“Araby,” “Barn Burning,” “A Clean, Well-Lighted Place”). At times, a crucial symbol will open a story or end it. Unless an object, act, or character is given some special emphasis and importance, we may generally feel safe in taking it at face value. But an object, an act, or a character is surely symbolic if, when we finish the story, we realize that it was that burning of a barnwhich led us to the theme, the essential meaning of the story.Chapter Eight ImageThe image is seen as being one of two things: something that represents a thing in the “real” world; something is seen as its own thing, divorced from the burden of representing anything other than itself.What Is Image?“An image is that which represents an intellectual and emotional complex in an instant of time.” (Ezra Pound) In a Station of the Metro The apparition of these faces in the crowd; Petals on a wet, black bough. 地铁车站 人群 粉面 幽灵 黝湿 枝头 花瓣Imagery, a rather vague critical term covering those uses of language in a literary work that evoke senseimpressions by literal or figurative reference to perceptible or concrete objects, scenes, actions, or states, as distinct from the language of abstract argument or exposition. The imagery of a literary work thus comprises the set of images that it uses; these need not be mental pictures, but may appeal to senses other than sight.Images suggesting further meanings and associations in ways that go beyond the fairly simple identifications of metaphor and simile are often called symbols.The Five Senses Responding to Imaginative languageVisual Imagery: Imagery of SightVisual imagery is different from visual perception because visual perception requires the object to be actually present and visual imagery does not.Aural Imagery: Imagery of SoundAuditory imagery is something that represents a sound, which can be revealed both in poems and stories.Olfactory Imagery: Imagery of SmellOlfactory imagery stimulates the sense of smell, which olfactions unique cognitive architecture of evocation have led some to conclude that there is no capacity for olfactory imagery. a. Self-reports of olfactory can resemble those obtained for actual perception. b. Imaging an odor can produce effects similar to actual perception. c. Olfactory perception and memorybased images can interact. 4. Tactile Imagery: Imagery of Touch Tactile imagery stimulates the sense of touch, which is also called Haptic Imagery. 5. Gustatory Imagery: Imagery of TasteGustatory imagery stimulates the sense of taste. “ Have a dill pickle, he said. He wanted to share with us: That seemed to me so right, soyou know what I mean?” From A Dill Pickle by Katherine Mansfield白酒制造厂生产废水处理工程及冷却水循环利用工程可行性研究报告编 制 单 位 ：西安通瑞环境工程有限公司公司简介通瑞环境（TORUI）是致力于将先进的MF、UF、RO、EDI、MBR膜分离技术应用于解决水资源问题的高新技术环保企业。主要包括工业纯水和超纯水、苦咸水淡化、高品质的饮用水的制备、工业与市政废水深度回用及工业自动化控制等，为客户提供工艺分析、方案制定、工程设计、设备制造、安装调试到操作培训等交钥匙工程。 我们拥有一支经验丰富、专业齐全的工程师队伍，数名资深专业工程师来自于知名跨国水处理工程公司和设计院，熟悉并掌握了多种先进的水处理技术。已为电力、石油、钢铁、化工、电子、制药、食品饮料等行业的用户提供了先进、可靠、安全的水处理系统。其中已经有近百个用户成为该先进膜法水处理技术的受益者。 通瑞环境（TORUI）恪守“诚信、精湛、创新”的经营理念。将先进的技术转化为一流的产品和经济的解决方案，与每一用户分享通瑞的成功。业务领域：1)海水、苦咸水淡化TORUI拥有一支优秀、专业的水处理技术团队，他们曾参与设计多个大型海水、苦咸水淡化的经历，具有丰富的膜法设计及工程经验。2)工业化学水处理TORUI在工业化学水，包括锅炉补给水、工艺用水等领域有多个业绩工程，为电力、化工、石化、冶金等行业提供最精湛的技术和最精细的服务。3)制药、医院、食品、饮料等纯水 TORUI的技术团队是最熟悉该行业的标准规定及GMP认证，从输液、固体、冻干粉、生物制品、中药提取等纯化水工艺设计和设备制造都达到了行业最高标准。4)电子超纯水TORUI在电子超纯水行业和高端军工企业的超纯水制备方面有丰富的工程经验和业绩，为多个电子工厂和科研机构提供高品质的超纯水。5)工业软化水TORUI引进美国FLECK、AUTOTROL先进的阀组控制系统，为低压锅炉、空调系统、洗涤等行业提供稳定、可靠、安全的用水要求。6)饮用纯净水TORUI凭借先进膜分离技术，为供水厂到社区直饮水、桶装纯净水、可移动式纯水设备，为人民生活提供高品质的饮用水，避免致病微生物、农药残留、重金属等对健康的危害。7） 废水深度处理和回用TORUI的技术团队中在工业和生活废水处理及回用中，熟悉并精通世界最先进的MBR膜生物反应器技术，为废水的循环利用和再生提供经济、高效的解决方案。8） 水处理系统核心产品和配件TORUI为客户提供水处理系统的核心超滤、反渗透、EDI、MBR膜元件及相关优质产品，为客户解决后顾之忧；确保用户的设备安全、稳定、长周期优良运转。前 言市酒业有限公司是一家生产大曲白酒生产的企业，在生产过程有大量的生产工艺中清洗废水、发酵蒸馏过程中冷却水产生。其中工艺清洗废水有白酒灌装瓶子的粗洗和精洗废水、设备清洗废水，主要含有悬浮物、细菌和淤泥等物质；冷却水主要是发酵和蒸馏锅冷却用水，水中含有铁离子和铁氧化物及黏泥等物质。酒业有限公司公司在其生产过程中产生的冷却水和生产洗瓶水直接外排至污水管道。由于国务院印发的发展改革委员会同有关部门制定的节能减排综合性工作方案，明确了2010年中国实现节能减排的目标任务和总体要求和冷却水和洗瓶废水循环使用系统的建立有助于水资源有效节约企业用水量，符合企业清洁生产的要求。公司决定新建冷却水循环系统和洗瓶废水回用系统。在此背景下，有限公司委托，依据企业的总体规划编制酒业公司日处理700m3的洗瓶废水和日处理300m3循环冷却水项目可行性研究报告。编制人员于2009年10月赴酒业有限公司公司。经过多次现场踏勘、搜集大量的基础资料，在公司有关部门的协助下，对酒业有限公司生产厂的地形、给水、排水现状进行了深入细致的调查研究和认真的综合分析，在此基础上完成了该项目可行性研究报告的编制工作。31personify the vanishing aristocracy of the South, still maintaining a black servant and being ruthless betrayed by a moneymaking Yankee. Sometimes a part of a characters body or an attribute may convey symbolic meaning, for example, a baleful eye in Edgar Allan Poes “The Tell-Tale Heart.” 4. Symbol used in works of fiction is the symbolic act Another kind of symbol commonly employed in works of fiction is the symbolic act: an act or a gesture with larger significance than its literal meaning. Captain Ahab in Melvilles Moby-Dick deliberately snaps his tobacco pipe and throws it away before setting out in pursuit of the huge whale, a gesture suggesting that he is determined to take his revenge and will let nothing to distract him from it. Another typical symbolic act is the burning of the barn by the boys father in Faulkners “Barn Burning”: it is an act of no mere destroying a barn, but an expression of his profound spite and hatred towards that class of people who have driven his family out of his land. His hatred extends to anything he does not possess himself and, beyond that, burning a barn reflects the fathers memories of the “waste and extravagance of war” and the “element of fire spoke to some deep mainspring” in his being.5. A symbol is a tropeIn a broad literary sense, a symbol is a trope that combines a literal and sensuous quality with an necessary or suggestive aspect. However, in literary criticism it is necessary to distinguish symbol from image, metaphor, and, especially, allegory.An imageAn image is a literal and concrete representation of a sensory experience or of an object that can be known by one or more of the senses. It is the means by which experience in its richness and emotional complexity is communicated. (Holman and Harmon, A Handbook to Literature, 1986) Images may be literal or figurative, a literal image being one that involves no necessary change or extension in the obvious meaning of the words. Prose works are usually full of this kind of image. For example, novels and stories by Conard and Hemingway are noted for the evocative power of their literal images. A figurative image is one that involves a “turn” on the literary meaning of the words. For example, in the lines “It is a beauteous evening, calm and free; /The holy time is quiet as a nun,” the second line is highly figurative while the first line evokes a literal image. We consider an image, whether literal or figurative, to have a concrete referent in the objective world and to function as image when it powerfully evokes that referent; whereas a symbol functions like an image but differs from it in going beyond the evocation of the objective referent by making that referent suggest to the reader a meaning beyond itself. In other words, a sysmbol is an image that evokes an objective, concrete reality, but then that reality suggests another level of meaning directly; it evokes an ob