贝多芬——音乐风格及作品赏析.ppt

单击此处编辑母版标题样式,单击此处编辑母版文本样式,第二级,第三级,第四级,第五级,*,Ludwig von Beethoven,he is German composer,musician,representative of Vienna classical music school,（维也纳古典乐派）。,Beethoven was born in Bonn,the ancestral home Folandemei heron.He studied music,in his fathers strict training,and showed an early music talent.At eight year old he began to appear on the stage.At the age of seventeen,he attended the University of Bonn court philosophy,thats when he had brief contact with Mozart.In 1792,he settled in Vienna,after Haydns guidance,he made progress in art,three years after the publication of the first book,贝多芬出生在德国波恩，祖籍佛兰德梅赫伦。自幼学习音乐，在其父的严格训练下，很早就显露出了音乐上的才华，八岁便开始登台演出。十七岁那年，他在波恩宫廷大学旁听哲学，也就是在这时与莫扎特有了短暂接触。1792年，定居维也纳，经过海顿的指引，他在艺术上进步飞快，三年后出版第一部作品。,简介,He believed in the Republic,the heroic,and,creat,ed,a large number of,outstanding works full of the spirit of the times,.,他信仰共和，崇尚英雄,，创作了大量充满时代气息的优秀作品。,such as symphony nine,(交响曲九部),the opera Faye de Leo,(歌剧费黛里奥),the drama Egmont,(戏剧哀格蒙特)、,the ruins of Athens,(雅典的废墟),;Piano Sonata Pathetique,Moonlight Sonata etc,(钢琴奏鸣曲悲怆、月光鸣奏曲).,His great collection of classical music,while opened up a romantic period music road,（他集古典音乐的大成，同时开辟了浪漫时期音乐的道路）,play a decisive role on the development of world music.He and Haydn,海顿,Mozar,t,has been called the Vienna sanjie.He and Michelangelo,Lev Tolstoys life has experienced all kinds of hardships of ups and downs,the French writer Roman Roland according to their life in the celebrity biography,(名人传),简介,早期（,17941800,）,Beethoven in the style of early,continuation and development of Haydn,Mozarts simple,rigorous,philosophical and other classical tradition,and his melody inherited Haydns motivation to carry out technique,and absorb the Mozart melody affectionate,and formed the characteristics of simple,straightforward,simple,warm.,贝多芬在早期的风格特征延续并发展了海顿、莫扎特的质朴、严谨、富哲理性等古典传统，同时他的旋律继承了海顿式的动机开展的手法，又吸收了莫扎特旋律的深情，而形成了简洁、粗犷、质朴、热情的特征。,其,音乐风格中最有代表意义的“英雄性”在这些作品中有了初步的体现。,这一时期他写了13首钢琴奏鸣曲。,在创作中，有许多新的形式和新的探索，,诞生于该时期的,第八首奏鸣曲,悲怆则是他受到耳聋威胁时的痛苦内心的表白。,中期（,18011814,）,From 17 to eighteenth Century,the European Enlightenment advocated freedom of thought,personality development and against the feudal tradition,religion fetter of thought,influence character by environment infiltration into Beethovens consciousness.True,goodness,beauty and praise to call,false,evil,ugly whips and struggle,and the worlds peace and happiness of human beings,almost became the theme,of Beethovens,music,in this period,.,17到18世纪欧洲启蒙运动所倡导的思想自由、个性发展思想和反对封建传统、宗教束缚的思想，潜移默化的浸润到贝多芬的意识中。对真、善、美的呼唤和歌颂，对假、恶、丑的鞭挞和抗争，以及世界的和平和人类的幸福，几乎成为这一时期的贝多芬音乐作品主题。,1.,创作背景,贝多芬开始构思并动笔写,c,小调第五交响曲是在,1804,年，那时，他已写过“海利根遗书”，他的耳聋已完全失去治愈的希望。他热恋的情人朱丽叶塔,齐亚蒂伯爵小姐也因为门第原因离他而去，成了加伦堡伯爵夫人。一连串的精神打击使贝多芬处于死亡的边缘。但是，贝多芬与命运展开了顽强的抗争。他在一封信里写道：“假使我什么都没有创作就离开这世界，这是不可想象的。”贝多芬在一生中最痛苦的时期，展开了一次旺盛的创作高潮：降,E,大调第三交响曲（英雄）尚未写完，,c,小调第五交响曲（命运）已开始动笔。并于,1807,年完成。,2.,乐曲赏析,第一乐章乐曲一开始就出现了命运敲门式的动机。展示了一幅斗争的场面，音乐象征着人民的力量如洪流般以排山倒海之势，向黑暗势力发起猛烈的冲击。,第二乐章，是一首优美的抒情诗，宏伟而又辉煌，同第一乐章形成了对比。它体现了人们的感情世界，战斗后的静思同对美好理想的憧憬互相交错，最后转化为坚定的决心。,第三乐章用复三部曲式写成，在调性上，回到了动荡不安的情绪，像是艰苦的斗争还在继续，它是通向第四乐章的过渡和转换。,规模宏大的第四乐章充满光明和无比欢乐的情绪，是欢呼胜利的热烈场面。这个新主题，像一股巨浪从英雄心底流出，自信、豪迈而勇往直前。庞大的尾声，响起了,C,大调光辉灿烂的凯旋进行曲，它具有排山倒海的气势，表现出人民经过斗争终于获得胜利的无比欢乐。,fate symphony,欢乐颂,Music appreciation,欣然忘食的夜餐,一天，贝多芬来到一家饭馆用餐。点过菜后，他的脑中突然闪过音乐的火花，他便顺手抄起餐桌上的菜谱，在菜谱的背面一笔一划地作起曲来。不一会儿，他就完全沉浸在美妙的旋律之中了。服务员看到贝多芬那十分投入的样子，便不敢去打扰他，而打算等一会儿再给他上菜。大约一个小时之后，服务员终于来到贝多芬身边：“先生，上菜吗？”贝多芬如同刚从梦中惊醒一般，立刻掏钱结账。侍者如丈二的和尚摸不着头脑：“先生，您还没吃饭呢！”“不！我确信我已经吃过了。”贝多芬根本听不进侍者的一再解释，他照菜单上的定价付款之后，抓起写满音符的菜谱，冲出了饭馆。,欢乐颂,欢乐颂，又称快乐颂，是在1785年由德国诗人席勒所写的诗歌。贝多芬为之谱曲，成为他的第九交响曲第四乐章的主要部份，包含四独立声部、合唱、乐团。作品大约创作于1819到1824年间，是贝多芬全部音乐创作生涯的最高峰和总 结。4/4拍。这是一首庞大的变奏曲，充满了庄严的宗教色彩，气势辉煌，是人声与交响乐队合作的典范之作。,Ode to joy is one of Beethovens favorite poems,and,Schiller expressed in the poems on freedom,equal,life,is also the highest ideal has been longing for the Republic of Beethoven.,The song expressed the Beethoven of joy and happiness.He hopes to bring joy to all mankind,and let the happy stay forever in the human.Although Beethoven lived through all kinds of setbacks(,挫折,),but he still not be the fate of down,and he is brave and optimistic towards the end of life.If the works of Beethovens middle period is the best explanation of“man can conquer nature”,（人定胜天）,of the word,the late Beethoven has been gradually moving toward a“harmony”realm,（天人合一）,but it doesnt mean he has to surrender,（屈服）,to fate,he is to want to a profound expression of his inner demand through the beautiful praise.And the fate of protest tends to calm.Beethoven wanted to send the best wishes to all mankind,and hope that they are less suffering,more joy,。,The end,谢谢观赏,